America Freedom to Fascism

• Sobering documentary
• over 2 hours long
• Shocking
• Motivating
• Life Changing

Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006.

Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence.

Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax, and the national identity card, which becomes law in May 2008 and will use Radio Fre! quency Identification (RFID) technology. Could this be a precursor to an impending police state in America? Watch the film and make your own conclusions.Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006. Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence. Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax, and the national identity card, which becomes law in May 2008 and will use Radio Frequency Identification (RFID) technology. Could this be a precursor to an impending police state in America? Watch the film and make your own conclusions.

William Shakespeare's Hamlet (Two-Disc Special Edition)

• Hamlet has the kind of power, energy and excitement that movies can truly exploit,' award-winning actor/director Kenneth Branagh says. In this first-ever full-text film of William Shakespeare's greatest work, the power surges through every scene. The timeless tale of murder, corruption and revenge is reset in an opulent 19th-century world, using sprawling Blenheim Palace as Elsinore and st

The Tragedie of Hamlet, Prince of Denmark - A Study with the Text of the Folio of 1623 is presented here in a high quality paperback edition. This popular classic work by George MacDonald is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of George MacDonald then we highly recommend this publication for your book collection.No Description Available.
Genre: Feature Film-Drama
Rating: UN
Release Date: 14-AUG-2007Media Type: DVDIt's the greatest work of literature, but nobody had ever filmed Hamlet uncut--until Kenneth Branagh went about the task for his lavish 1996 production. The result is a sumptuous, star-studded version that scores a palpable hit on its avowed goal: to make the text as clear and urgent as possible. Branagh himself plays the melancholy son of the Danish court, caught in a famous muddle about whether to seek revenge against his royal father's presumed slayer… the man who now sits on the throne and shares the bed of Hamlet's mother. (Or, as the song "That's Entertainment" summarizes the plot: "A ghost and a prince meet / And everyone winds up mincemeat.") As a director, Branagh (who shot the movie in 70 mm.) uses the vast, cold interiors of a vaguely 19th-century manor to gorgeous effect; the story might scurry down this hallway, into that back chamber, or sprawl out into the enormous main room. With its endless collection of mirrors, the place ! is as big and empty as Citizen Kane's Xanadu.

That ! all work s; what doesn't work is Branagh's tendency to over-direct the big dramatic moments. He indulges in quick cutting and flashbacks as though to fend off the audience's objections to the four-hour running time, and the style sometimes looks like wasted energy. The experienced Shakespearians in the cast come off nicely; Derek Jacobi's Claudius, Richard Briers' Polonius, and Michael Maloney's Laertes are just terrific. Julie Christie is a suitably attractive Gertrude, and Kate Winslet makes the most of Ophelia's mad scenes. Branagh's habit of folding in unexpected American performers is on the mark, too: Billy Crystal is surprisingly good as the Gravedigger, Robin Williams predictably camps up Osric, and Charlton Heston is an inspired choice as the grandiloquent Player King. The biggest irony here is that Branagh himself is not quite spot-on as Hamlet. Of course he speaks the lines beautifully, but Branagh's screen personality radiates certainty and clarity of vision; there's lit! tle of the doubt that might make him Hamlet-esque. Still, tremendous credit for fending off slings and arrows to get the movie made. --Robert Horton

Hank and Mike

• Hank and Mike tells the hilarious story of two blue-collar Easter Bunnies who get downsized from the job they love. Having no other work experience, they try their hand at an assortment of odd jobs, failing miserably at each. Fighting debt, eviction and eventually each other, Hank and Mike come to realize that there is something far more important than their jobs - their friendship. Format: DVD

Hank and Mike tells the hilarious story of two blue-collar Easter Bunnies who get downsized from the job they love. Having no other work experience, they try their hand at an assortment of odd jobs, failing miserably at each. Fighting debt, eviction and eventually each other, Hank and Mike come to realize that there is something far more important than their jobs - their friendship.

Something's Gotta Give

• Jack Nicholson is always a Key Feature
• Comedy Movie
• DVD

Jack Nicholson, Helen Hunt, Greg Kinnear and Cuba Gooding, Jr., star in James L. Brooks' hit comedy, As Good as it Gets. Nicholson gives a show-stopping performance as Melvin Udall, an obsessive-compulsive novelist with Manhattan's meanest mouth. But when his neighbor Simon is hospitalized, Melvin is forced to babysit Simon's dog. And that unexpected act of kindness, along with waitress Carol Connelly, helps put Melvin back in the human race.For all of its conventional plotting about an obsessive-compulsive curmudgeon (Jack Nicholson) who improves his personality at the urging of his gay neighbor (Greg Kinnear) and a waitress (Helen Hunt) who inspires his best behavior, this is one of the sharpest Hollywood comedies of the 1990s. Nicholson could play his role in his sleep (the Oscar he won should have gone to Rober! t Duvall for The Apostle), but his mischievous persona is precisely necessary to give heart to his seemingly heartless character, who is of all things a successful romance novelist. As a single mom with a chronically asthmatic young son, Hunt gives the film its conscience and integrity (along with plenty of wry humor), and she also won an Oscar for her wonderful performance. Greg Kinnear had to settle for an Oscar nomination (while cowriter-director James L. Brooks was inexplicably snubbed by Oscar that year), but his work was also singled out in the film's near-unanimous chorus of critical praise. It's questionable whether a romance between Hunt and the much older Nicholson is entirely believable, but this movie's smart enough--and charmingly funny enough--to make it seem endearingly possible. --Jeff ShannonHarry Sanborn (Jack Nicholson) is a perennial playboy with a libido much younger than his years. During what was to have been a romantic weekend with his ! latest infatuation, Marin (Amanda Peet), at her mother's Hampt! ons beac h house, Harry develops chest pains. He winds up being nursed by Marin's reluctant mother Erica Barry (Diane Keaton), a successful, divorced New York playwright. In the process, Harry develops more heart pangs -- the romantic kind -- for Erica, an age-appropriate woman whom he finds beguiling. However, some habits die hard. When Harry hesitates, his charming thirty something doctor (Keanu Reeves) steps in and starts to pursue Erica. And Harry, who has always had the world on a string, finds his life unraveling.As upscale sitcoms go, Something's Gotta Give has more to offer than most romantic comedies. Obviously working through some semi-autobiographical issues regarding "women of a certain age," writer-director Nancy Meyers brings adequate credibility and above-average intelligence to what is essentially (but not exclusively) a fantasy premise, in which an aging lothario who's always dated younger women (Jack Nicholson, more or less playing himself) falls for a succes! sful middle-aged playwright (Diane Keaton) who's convinced she's past the age of romance, much less sexual re-awakening. As long as old pals Nicholson and Keaton are on screen discussing their dilemma or discovering their mutual desire, Something's Gotta Give is terrific, proving (in case anyone had forgotten) that Hollywood can and should aim for an older demographic. Myers falls short with the sitcom device of a younger lover (Keanu Reeves) who wants Keaton as much as Nicholson does; it's believable but shallow and too easily dismissed. Myers also skimps on supporting roles for Frances McDormand, Amanda Peet, and Jon Favreau, but thankfully this is one romantic comedy that doesn't pander to youth. Mature viewers, rejoice! --Jeff Shannon

Blazing Saddles (30th Anniversary Special Edition)

• The railroad's got to run through the town of Rock Ridge. How do you drive out the townfolk in order to steal their land? Send in the toughest gang you've got.and name a new sheriff who'll last about 24 hours.But that's not really the plot of Blazing Saddles, just the pretext. Once Mel Brooks' lunatic film many call his best gets started, logic is lost in a blizzard of gags, jokes, quips, puns, h

The railroad's got to run through the town of Rock Ridge. How do you drive out the townfolk in order to steal their land? Send in the toughest gang you've got...and name a new sheriff who'll last about 24 hours. But that's not really the plot of Blazing Saddles, just the pretext. Once Mel Brooks' lunatic film many call his best gets started, logic is lost in a blizzard of gags, jokes, quips, puns, howlers, growlers and outrageous assaults upon good taste or any taste at all. Cleavon Little as the new! lawman, Gene Wilder as the wacko Waco Kid, Brooks himself as a dim-witted politico and Madeline Kahn in her Marlene Dietrich send-up that earned an Academy Award nomination all give this sagebrush saga their lunatic best. And when Blazing Saddles can't contain itself at the finale, it just proves the Old West will never be the same!Mel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humor is so juvenile and crude that you just have to surrender to it; highlights abound, from the lunkheaded Alex Karras as the ox-riding Mongo to Madeline Kahn's uproa! rious send-up of Marlene Dietrich as saloon songstress Lili Vo! n Shtupp . Adding to the comedic excess is the infamous campfire scene involving a bunch of hungry cowboys, heaping servings of baked beans and, well, you get the idea. --Jeff ShannonMel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humor is so juvenile and crude that you just have to surrender to it; highlights abound, from the lunkheaded Alex Karras as the ox-riding Mongo to Madeline Kahn's uproarious send-up of Marlene Dietrich as saloon songstress Lili Von Shtupp. Adding to the comedic excess is the infamous campfire scene involving a bunch of hu! ngry cowboys, heaping servings of baked beans and, well, you get the idea. --Jeff Shannon

Studio Classics - Best Picture Collection (Sunrise / How Green Was My Valley / Gentleman's Agreement / All About Eve)

• Features include: -MPAA Rating: UNRATED -Format: DVD-Runtime: 469 minutes

From the moment she glimpses her idol at the stage door, Eve Harrington (ANN BAXTER) is determined to take the reins of power away from the great actress Margo Channing (BETTE DAVIS). Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (GARY MERRILL), her playwright (HUGH MARLOWE) and his wife (CELESTE HOLM). Only the cynical drama critic (Oscar winner GEORGE SANDERS) sees through Eve, admiring her audacity and perfect pattern of deceit. THELMA RITTER and MARILYN MONROE co-star in this acclaimed classic, which won six Academy Awards and received the most nominations (14) in film history.Showered with Oscars, this wonderfully bitchy (and witty) comedy written and directed by Joseph L. Mankiewicz concerns an aging theater star (Bette ! Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) whom she helped. This is a film for a viewer to take in like a box of chocolates, packed with scene-for-scene delights that make the entire story even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screenwriter and the brilliant director of A Letter to Three Wives, The Barefoot Contessa, and Sleuth. --Tom KeoghFrom the moment she glimpses her idol on Broadway, Eve Harrington (Anne Baxter) strives to upstage Margo Channing (Bette Davis). After cunningly stealing Margo’s role, Eve disrupts the lives of anyone close to the actress in this timeless cinematic masterpiece that earned a record 14 Oscar® Nominations*, winning six â€" including Best Picture! Showered with Oscars, thi! s wonderfully bitchy (and witty) comedy written and directed b! y Joseph  L. Mankiewicz concerns an aging theater star (Bette Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) whom she helped. This is a film for a viewer to take in like a box of chocolates, packed with scene-for-scene delights that make the entire story even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screenwriter and the brilliant director of A Letter to Three Wives, The Barefoot Contessa, and Sleuth. --Tom KeoghFrom the moment she glimpses her idol at the stage door, Eve Harrington (ANN BAXTER) is determined to take the reins of power away from the great actress Margo Channing (BETTE DAVIS). Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend! (GARY MERRILL), her playwright (HUGH MARLOWE) and his wife (CELESTE HOLM). Only the cynical drama critic (Oscar winner GEORGE SANDERS) sees through Eve, admiring her audacity and perfect pattern of deceit. THELMA RITTER and MARILYN MONROE co-star in this acclaimed classic, which won six Academy Awards and received the most nominations (14) in film history.Showered with Oscars, this wonderfully bitchy (and witty) comedy written and directed by Joseph L. Mankiewicz concerns an aging theater star (Bette Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) whom she helped. This is a film for a viewer to take in like a box of chocolates, packed with scene-for-scene delights that make the entire story even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screen! writer and the brilliant director of A Letter to Three Wive! s, < i>The Barefoot Contessa, and Sleuth. --Tom KeoghStudio: Tcfhe Release Date: 08/30/2011 Run time: 119 minutes Rating: NrShowered with Oscars, this wonderfully bitchy (and witty) comedy written and directed by Joseph L. Mankiewicz concerns an aging theater star (Bette Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) whom she helped. This is a film for a viewer to take in like a box of chocolates, packed with scene-for-scene delights that make the entire story even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screenwriter and the brilliant director of A Letter to Three Wives, The Barefoot Contessa, and Sleuth. --Tom KeoghShowered with Oscars, this wonderfully bitchy (and witty) comedy written and directed ! by Joseph L. Mankiewicz concerns an aging theater star (Bette Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) whom she helped. This is a film for a viewer to take in like a box of chocolates, packed with scene-for-scene delights that make the entire story even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screenwriter and the brilliant director of A Letter to Three Wives, The Barefoot Contessa, and Sleuth. --Tom KeoghShowered with Oscars, this wonderfully bitchy (and witty) comedy written and directed by Joseph L. Mankiewicz concerns an aging theater star (Bette Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) whom she helped. This is a film for a viewer to take in like a box of ch! ocolates, packed with scene-for-scene delights that make the e! ntire st ory even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screenwriter and the brilliant director of A Letter to Three Wives, The Barefoot Contessa, and Sleuth. --Tom KeoghSTUDIO CLASSICS BEST PICTURE - DVD MovieSunrise (1927)
There are those who rate Sunrise the greatest of all silent films. Then again, some consider it the finest film from any era. Such claims invite a backlash, but do yourself a favor and give it a look. At the very least, you'll know you've seen a movie of extraordinary visual beauty and emotional purity. This universal tale of a farm couple's journey from country to city and back again was the first American film for F.W. Murnau, the German director of Nosferatu and The Last Laugh whose everyday scenes seemed ! haunted by phantoms and whose most extravagant visions never lost touch with reality. Hollywood afforded him the technical resources to unleash his imagination, and in turn he opened up the power of camera movement and composition for a generation of American filmmakers. You'll never forget the walk in the swamp, the ripples on the lake, the trolley ride from forest to metropolis. This movie defines the cinema. --Richard T. Jameson

How Green Was My Valley (1941)
John Ford's beautiful, heartfelt drama about a close-knit family of Welsh coal miners is one of the greatest films of Hollywood's golden age--a gentle masterpiece that beat Citizen Kane in the Best Picture race for the 1941 Academy Awards. The picture also won Oscars for Best Director (Ford), Best Supporting Actor (Donald Crisp), Best Art Direction, and Best Cinematography; all of those awards were richly deserved, even if they came at the expense of Kane and Orson Welles. ! Based on the novel by Richard Llewellyn, the film focuses its! eventfu l story on 10-year-old Huw (Roddy McDowall), youngest of seven children to Mr. and Mrs. Morgan (Donald Crisp, Sarah Allgood), a hardy couple who've seen the best and worst of times in their South Wales mining town. They're facing one of the worst times as Mr. Morgan refuses to join a miners union whose members have begun a long-term strike. Family tensions grow and Huw must learn many of life's harsher lessons under the tutelage of the local preacher (Walter Pidgeon), who has fallen in love with Huw's sister (Maureen O'Hara). As various crises are confronted and devastating losses endured, How Green Was My Valley unfolds as a rich, moving portrait of family strength and integrity. It's also a nod to a simpler, more innocent time--and to the preciousness of memory and the inevitable passage from youth to adulthood. An all-time classic, not to be missed. --Jeff Shannon

Gentleman's Agreement (1947)
Elia Kazan directed this sometimes powerful ! study of anti-Semitism in nicer circles, based on Laura Z. Hobson's post-World War II novel. Gregory Peck is a hotshot magazine writer who has been blind to the problem; to ferret it out, he passes himself off as Jewish and watches the WASPs squirm. Seen a half-century later, the attitudes seem quaint and dated: Could it really have been like this? Yet the truth of the story comes through, in the wounded dignity of John Garfield, the upright indignation of Peck, and the hidden ways bigotry and hatred can poison relationships. That's particularly true in the Oscar-winning performance of Celeste Holm, who finds more layers than you'd expect in what seems like a stock character. --Marshall Fine

All About Eve (1950)
Showered with Oscars, this wonderfully bitchy (and witty) comedy written and directed by Joseph L. Mankiewicz concerns an aging theater star (Bette Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) w! hom she helped. This is a film for a viewer to take in like a ! box of c hocolates, packed with scene-for-scene delights that make the entire story even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screenwriter and the brilliant director of A Letter to Three Wives, The Barefoot Contessa, and Sleuth. --Tom Keogh

Everyone's Hero : Widescreen Edition

• Widescreen

Ten-year-old baseball fanatic Yankee Irving (voiced by newcomer Jake T. Austin) is always the last one picked for sandlot baseball games. But when Babe Ruth's prized bat is stolen during the 1932 World Series, Yankee steps up to the plate to help retrieve it for his beloved idol. He embarks on a wild cross-country journey that teaches him the stuff real heroes are made of, and along the way, Yankee learns the importance of perseverance and the true meaning of friendship.

A talking baseball and a talking bat might not be the most likely characters to inspire a personal revelation about perseverance and self-esteem, but in Everyone's Hero it's just those two things that help young Yankee Irving (Jake T. Austin) overcome his reputation as a baseball loser and become a true American hero. A ten-year old spurned by the neighborhood kids because of his repeated strike-outs at ba! t, Yankee is at a point of personal crisis. A chance encounter with a talking foul ball named Screwie (Rob Reiner) and some time spent with his father (Mandy Patinkin), who's a janitor for the New York Yankees, gives Yankee cause for some serious reflection. When Babe Ruth's famous bat "Darlin'" (Whoopi Goldberg) is stolen by opposing teammate Lefty Maginnis (William H. Macy) and Yankee's father is fired as a result of the theft, it suddenly falls to Yankee and his new friend Screwie to find Darlin' and return her to Babe Ruth before the Chicago Cubs loose the final game of the World Series to the New York Yankees. The combined efforts of Screwie, Darlin', and new friend Marti Brewster (Raven-Symoné) aid Yankee in conquering his own self-doubt and infuse him with the self-confidence and strength to profoundly affect both his family and the entire baseball world. Produced by Christopher Reeve, this CGI animated presentation features a great cast of characters and voice tale! nt, and an important message about the power of perseverance. ! (Ages 5 and older) --Tami Horiuchi

Beyond Everyone's Hero

Everyone's Hero: The Movie Storybook (Paperback)

More Sports-Themed Family Films

Nothing is Impossible: Reflections on a New Life by Christopher Reeve

Stills from Everyone's Hero

EVERYONE'S HERO/FIREHOUSE DOG - DVD MovieDVD

Cobra Verde (Slave Coast) [NTSC/REGION 1 & 4 DVD. Import-Latin America] by Werner Herzog (Spanish subtitles)

• https://catalog.amazon.com/abis/edit/DisplayEditProduct.amzn?sku=FAA7506036013609&asin=B00267U1YK

CAVE OF FORGOTTEN DREAMS, a breathtaking new documentary from the incomparable Werner Herzog (Encounters at the End of the World, Grizzly Man), follows an exclusive expedition into the nearly inaccessible Chauvet Cave in France, home to the most ancient visual art known to have been created by man. One of the most successful documentaries of all time, CAVE OF FORGOTTEN DREAMS is an unforgettable cinematic experience that provides a unique glimpse of pristine artwork dating back to human hands over 30,000 years ago -- almost twice as old as any previous discovery.Contemplative and reflective, Cave of Forgotten Dreams confirms Werner Herzog as one of the finest and most original chroniclers of the natural world. His abiding fascination with flight, which fueled films like Little Dieter ! Needs to Fly and White Diamond, finds counterpoint here as he goes below ground to document the oldest paintings known to man. Discovered in 1994, France's Chauvet Cave offers a privileged insight into another time and place. While the walls feature artwork from over 30,000 years ago, ancient animal bones cover the ground, and layers of sparkly calcite coat every surface (paleontologists believe humans never actually lived there). In his narration, Herzog explains that he and his crew had to obtain special permission, could only shoot for a few hours during specific seasons, and couldn't leave the designated walkways, so cinematographer Peter Zeitlinger (Bad Lieutenant: Port of Call New Orleans) attached a camera to a stick to capture the painting of a minotaur and a woman that adorns a prominent outcropping. Unlike some 3-D features, Cave of Forgotten Dreams benefits from the added dimension, providing a breathtaking you-are-there effect. Of course! , it wouldn't be a Herzog picture without a mesmerizing score,! a few e ccentric characters, and some bizarre bits of business. In this case, he includes a master perfumer who sniffs out hidden caves and a philosophical archaeologist who used to work as a circus performer. The documentary concludes with a quintessentially Herzogian postscript featuring the eerie radioactive albino crocodiles who live downwind from the cave. --Kathleen C. FennessyCAVE OF FORGOTTEN DREAMS, a breathtaking new documentary from the incomparable Werner Herzog (Encounters at the End of the World, Grizzly Man), follows an exclusive expedition into the nearly inaccessible Chauvet Cave in France, home to the most ancient visual art known to have been created by man. One of the most successful documentaries of all time, CAVE OF FORGOTTEN DREAMS is an unforgettable cinematic experience that provides a unique glimpse of pristine artwork dating back to human hands over 30,000 years ago -- almost twice as old as any previous discovery.Contemplative and reflective, Ca! ve of Forgotten Dreams confirms Werner Herzog as one of the finest and most original chroniclers of the natural world. His abiding fascination with flight, which fueled films like Little Dieter Needs to Fly and White Diamond, finds counterpoint here as he goes below ground to document the oldest paintings known to man. Discovered in 1994, France's Chauvet Cave offers a privileged insight into another time and place. While the walls feature artwork from over 30,000 years ago, ancient animal bones cover the ground, and layers of sparkly calcite coat every surface (paleontologists believe humans never actually lived there). In his narration, Herzog explains that he and his crew had to obtain special permission, could only shoot for a few hours during specific seasons, and couldn't leave the designated walkways, so cinematographer Peter Zeitlinger (Bad Lieutenant: Port of Call New Orleans) attached a camera to a stick to capture the painting of a minota! ur and a woman that adorns a prominent outcropping. Unlike som! e 3-D fe atures, Cave of Forgotten Dreams benefits from the added dimension, providing a breathtaking you-are-there effect. Of course, it wouldn't be a Herzog picture without a mesmerizing score, a few eccentric characters, and some bizarre bits of business. In this case, he includes a master perfumer who sniffs out hidden caves and a philosophical archaeologist who used to work as a circus performer. The documentary concludes with a quintessentially Herzogian postscript featuring the eerie radioactive albino crocodiles who live downwind from the cave. --Kathleen C. FennessySinopsis: Un temido hombre llamado Cobra Verde, es contratado por el dueño de un plantío para supervisar a los esclavos que trabajan las tierras. Cuando el dueño sospecha que Cobra Verde está relacionándose con sus hijas, lo destierra mandándolo directamente a África. Como el único hombre blanco del lugar, Cobra Verde se vuelve víctima de tortura y humillación. Contra la adversidad pronto se convierte en líder de un movimiento rebelde de la milicia. Poco a poco y con la presión de sentirse invencible, Cobra Verde comienza a perder la razón... Una oscura película de Werner Herzog que demuestra una vez más la habilidad del cineasta de contar historias llenas de fuerza y emociones pero en pos de la redención.

Behind the Sun

• ISBN13: 9781439213544
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Golden Globe Award Nominee for Best Foreign Language Film, BEHIND THE SUN is a critically acclaimed story about love, loyalty, and the choice a son must make between honoring his family and following his heart. In the brutal Brazilian badlands of 1910, two families are locked in a bloody, generations-old feud. In one family, the oldest remaining son, distressed by the prospect of death and encouraged by his younger brother -- begins to question the cycle of violence. Then a beautiful young woman crosses his path and opens his eyes to life outside his culture's rigid code of honor. Stunningly photographed and exquisitely told, this outstanding motion picture masterpiece will transport you to a vastly di! fferent place and time ... a place somewhere "behind the sun"!Behind the Sun is a rapturous Western, a big film about a big, unwanted destiny visited upon a vulnerable, young hero. Adapted from the novel Broken April by Albanian writer Ismail Kadare (the story has been transferred from Europe to Brazil's rugged, northeastern badlands in 1910), Behind the Sun concerns two families and their long-running land war, which has robbed many a young man of his hope, love and, ultimately, life. Sent by his aggrieved father to avenge the slaying of an older brother, Tonho (Rodrigo Santoro), in torment, carries out his bloody, ancestral obligation and then proposes a truce between the families. Director Walter Salles (Central Station) aims to make a magnificently crafted, lush, and exotic epic told in broad strokes for art house aficionados, and he succeeds almost to a self-conscious fault. Still, there is nothing like a stirring, archetypal tragedy about! the endless repercussions of violence and the sacrifice of in! nocence to a dubious cause. --Tom KeoghDVD-Behind The Sun by Open Doors FilmsProducer Phil Collins helped Clapton crack the Top 40 with this 1985 LP. Clapton scored hits with Forever Man and See What Love Can Do and lays down stellar guitar throughout (as on Same Old Blues ).Men Behind The Sun is the true story of the Japanese prison camp, Manchu 731, where people were subjected to tremendous horrors. This film is very powerful and hard to watch but it's a film that should be seen by everyone, to show the fact that there were more victims that suffered during World War 2 than most people are aware of. Near the end of WW2, Japan is losing the war so a prison camp is created to test new biological and chemical weapons that might be able to help them win. In order to test these new weapons, the Japanese need to use test subjects, so they capture and use Chinese and Russians as guinea pigs for their cruel and barbaric experiments. The Japanese refer to the test subjects as Maruta! , which translates to the word material. We follow the experiments performed on the Maruta by the crazy leader who runs the prison camp and a group of young boys that are enrolled in the camp but they cannot stand to deal with this cruelty. Although all 731 prison camp members disappeared into the darkness and all of the witnesses & records were destroyed, the bloody story of the devil 731 Bacterial Camps marked the immortal history of true and real, cruel and merciless evil. Includes Original Theatrical Trailer Written Director Interview Director FilmographyBehind the Sun by Sue Nielsen follows Sally Burns and a team of elite experts when they are assigned to travel to a newly discovered planet on the opposite side of the Sun, one almost identical to Earth in mass, orbit, and size. What they encounter challenges their beliefs about Earth history, its development, and the nature of reality itself. Facing sabotage, violence, and events and creatures of mythological! scope, Sally and the team are unprepared for the shattering r! evelatio ns they encounter. In the end, Sally and the others find that there is a greater fate waiting for them, one more profound than Sally, or anyone, could have ever imagined. Written in masterful prose and told in the best traditions of the sci-fi action genre, Behind the Sun builds on mythological and religious traditions, science, and pure imagination to create a world like no other. Populated with compelling characters and thrilling plot lines, Sue Nielsen has written a book that will grab you by the collar and not let go.