Dog Heaven

• ISBN13: 9780590417013
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Get ready for plenty of thrills and excitement as everyone's favorite pups unleash their charm in this lively tale of courage, love and friendship that is captivating entertainment and dog gone good fun for all! All dogs do go to heaven...and some lucky few return to earth. That's what happens when mischievous mutt Charlie Barkin (Charlie Sheen) is asked to retrieve Gabriel's horn when itis stolen from heaven. Seeing his chance to have some fun, Charlie recruits his sidekick Itchy (Dom DeLuise) and happily steps up to the challenge. Immediately, the two get side tracked into trouble...until a sweet young runaway boy and a beautiful Irish setter (Sheena Easton) set them straight. But time is running ou! t, and if Charlie is going to secure the valuable horn, he will have to prove himself worthy of his wings by taking on two incredible villains in a hair-raising, breathtaking race to the finish!While it pales in comparison to the outstanding animation of its predecessor, Don Bluth's imaginative if somewhat graceless All Dogs Go to Heaven, this 1995 sequel has some nice moments of its own. Charlie Sheen replaces Burt Reynolds as the voice of Charlie Barkin, the afterlife-stranded pooch who sought vengeance against his killer in the previous film but instead discovered the joys of earthly love and community. This time, a bored Charlie, looking for a little adventure, reteams with his old pal Itchy (voiced by Dom DeLuise) to retrieve Gabriel's Horn after it's stolen. Dropping down from Dog Heaven to take on his old nemesis (and killer), Carface (Ernest Borgnine), Charlie falls for a sexy Irish setter (Sheena Easton) and helps a boy caught in a jam. Featuring grand pop s! ongs by the legendary songwriting team of Barry Mann and Cynth! ia Weil, All Dogs Go to Heaven 2 provides kids with a simpler story than Bluth's original film, as well as less unsettling violence. On the downside, director Paul Sabella, a Hanna-Barbera veteran who produced television's The Smurfs, either can't or won't stretch much as an artist here. --Tom Keogh Disc 1: ALL DOGS GO TO HEAVEN Disc 2: ALL DOGS GO TO HEAVEN 2All Dogs Go To Heaven

All Dogs Go To Heaven is a musical, animated exploration of the fundamental conflict between good and bad and of the notions of caring and friendship. While all dogs may be welcome in heaven, the open admission policy doesn't necessarily ensure that a dog is worthy of, or even ready to accept his heavenly blessing. When criminal dog Charlie Barker (Burt Reynolds) and his sidekick Itchy (Dom DeLuise) escape from the dog pound, it isn't long before they realize that former business partner-in-crime Carface (Vic Taybak) has turned against them. Carface puts a per! manent end to the partnership by killing Charlie, but Charlie ascends to heaven only to spurn his promised life devoid of surprises and fight to return to a life of vengeance, danger, and adventure on earth. When Charlie realizes that Carface has been using the animal-talking talents of young orphan girl named Anne-Marie (Judith Barsi) to further the success of his gambling business, Charlie steals her away and starts his own lucrative business venture. Charlie and Anne-Marie begin to become friends, but Anne-Marie's strong sense of what is right conflicts with Charlie's complete lack of moral standards and puts their friendship at risk. Worse, Charlie's quest for revenge threatens his own life as well as the lives of his friends Anne-Marie and Itchy. (Ages 6 and older) --Tami Horiuchi

All Dogs Go To Heaven 2

While it pales in comparison to the outstanding animation of its predecessor, Don Bluth's imaginative if somewhat graceless All Dogs ! Go to Heaven, this 1995 sequel has some nice moments of it! s own. C harlie Sheen replaces Burt Reynolds as the voice of Charlie Barkin, the afterlife-stranded pooch who sought vengeance against his killer in the previous film but instead discovered the joys of earthly love and community. This time, a bored Charlie, looking for a little adventure, reteams with his old pal Itchy (voiced by Dom DeLuise) to retrieve Gabriel's Horn after it's stolen. Dropping down from Dog Heaven to take on his old nemesis (and killer), Carface (Ernest Borgnine), Charlie falls for a sexy Irish setter (Sheena Easton) and helps a boy caught in a jam. Featuring grand pop songs by the legendary songwriting team of Barry Mann and Cynthia Weil, All Dogs Go to Heaven 2 provides kids with a simpler story than Bluth's original film, as well as less unsettling violence. On the downside, director Paul Sabella, a Hanna-Barbera veteran who produced television's The Smurfs, either can't or won't stretch much as an artist here. --Tom KeoghSet in 1939 New Orleans, ! this colorful, song-filled story centers on Charles B. Barkin, a roguish German Shepherd with the charm of a con man and the heart of a marshmallow. Out for revenge against his double-crossing former partner, a cigar-chomping pit bull known as Carface, Charlie finds himself guardian to a lonely little orphan named Anne-Marie. Her astounding ability to talk to animals leads this unlikely pair on an adventure packed with thrills, laughs, tears and true love.All Dogs Go To Heaven is a musical, animated exploration of the fundamental conflict between good and bad and of the notions of caring and friendship. While all dogs may be welcome in heaven, the open admission policy doesn't necessarily ensure that a dog is worthy of, or even ready to accept his heavenly blessing. When criminal dog Charlie Barker (Burt Reynolds) and his sidekick Itchy (Dom DeLuise) escape from the dog pound, it isn't long before they realize that former business partner-in-crime Carface (Vic Tayb! ak) has turned against them. Carface puts a permanent end to ! the part nership by killing Charlie, but Charlie ascends to heaven only to spurn his promised life devoid of surprises and fight to return to a life of vengeance, danger, and adventure on earth. When Charlie realizes that Carface has been using the animal-talking talents of young orphan girl named Anne-Marie (Judith Barsi) to further the success of his gambling business, Charlie steals her away and starts his own lucrative business venture. Charlie and Anne-Marie begin to become friends, but Anne-Marie's strong sense of what is right conflicts with Charlie's complete lack of moral standards and puts their friendship at risk. Worse, Charlie's quest for revenge threatens his own life as well as the lives of his friends Anne-Marie and Itchy. (Ages 6 and older) --Tami Horiuchi

Features include:

•MPAA Rating: NR
•Format: Blu-Ray

In Newbery Medalist Cynthia Rylant's classic bestseller, the author comforts readers young and old who have lo! st a dog. Recommended highly by pet lovers around the world, Dog Heaven not only comforts but also brings a tear to anyone who is devoted to a pet. From expansive fields where dogs can run and run to delicious biscuits no dog can resist, Rylant paints a warm and affectionate picture of the ideal place God would, of course, create for man's best friend. The first picture book illustrated by the author, Dog Heaven is enhanced by Rylant's bright, bold paintings that perfectly capture an afterlife sure to bring solace to anyone who is grieving.

Juno (Single-Disc Edition)

• DVD Details: Actors: Ellen Page, Michael Cera, Jennifer Garner, Jason Bateman, Allison Janney
• Directors: Jason Reitman
• Format: Color, Widescreen, NTSC. Region: Region 1 (U.S. and Canada only)
• Aspect Ratio: 1.77:1; Number of discs: 1; Studio: 20th Century Fox
• DVD Release Date: April 15, 2008; Run Time: 96 minutes

Comedic geniuses Tina Fey (30 Rock, Saturday Night Live) and Amy Poehler (Saturday Night Live) team up to celebrate a modern twist on motherhood! Kate (Fey) is a single, successful career woman who wants something more: a baby. But she gets more than she bargained for when she hires Angie (Poehler), a free spirit from South Philly, to be her surrogate in a hysterical mama match-up. From birth class to baby-proofing, they’re the ultimate odd couple that critics are calling “the best female comedy duo since Lucy and Ethel” (Claudia Puig, USA T! oday). With hilarious performances from an all-star cast featuring Greg Kinnear, Dax Shepard, and Sigourney Weaver, Baby Mama is as full of laughs as it is heart!Laughter and hearty guffaws abound in this comical look at 37-year-old career woman Kate Holbrook's (30 Rock's Tina Fey) desperate attempts to have a baby. Never mind that she's not married and has never been involved in a serious relationship; Kate wants a baby and will stop at virtually nothing to get one. After failed attempts at broaching the concept of conception with first dates and trying artificial insemination with the help of a sperm bank, Kate finds out that her t-shaped uterus leaves her with only a one in a million chance of conceiving a child. Adoption doesn't work out and she's left with the distasteful option of hiring a surrogate mother. Enter Chaffee Bicknell's (Sigourney Weaver) surrogate service and her recommendation of the working-class Angie Ostrowiski (Saturday Night Live's A! my Poehler) who, with her common-law husband Carl (Dax Shepard! ), is ju st desperate enough to take on the job in order to make some money, and the stage is set for baby making. As fate would have it, Angie and Carl break up just after Angie announces she's pregnant and Angie ends up moving in with Kate. Unfortunately, the two are completely incompatible and what ensues is a hysterical struggle to coexist while clashing over everything from proper nutrition to stroller selection, hair dye, and delivery options. Further complicating matters is Kate's budding relationship with ex-lawyer and juice-store owner Rob (Greg Kinnear), who just happens to be morally opposed to the whole concept of surrogate parenting. Finally, there's the question of just how fully Angie embraces the virtue of honesty. It's the juxtaposition of opposing viewpoints--so boldly stated, humorously set, and blatantly exploited--that makes this witty comedy so darn funny. Expect graphic references, raunchy humor, and a whole lot of laughter. --Tami Horiuchi

! Beyond Baby Mama on DVD

More Tina Fey

Baby Mama on Blu-ray

More from Universal Studios

Stills from Baby Mama (Click for larger image)

Comedic geniuses Tina Fey (30 Rock, Saturday Night Live) and Amy Poehler (Saturday Night Live) team up to celebrate a modern twist on motherhood! Kate (Fey) is a single, successful career woman who wants something more: a baby. But she gets more than she bargained for when she hires Angie (Poehler), a free spirit from South Philly, to be her surrogate in a hysterical mama match-up. From birth class to baby-proofing, they’re the ultimate odd couple that critics are calling “the best female comedy duo since Lucy and Ethel” (Claudia Puig, USA Today). With hilarious performances from an all-star cast featuring Greg Kinnear, Dax Shepard, and Sigourney Weaver, Baby Mama is as full of laughs as it is heart! Laughter and hearty guffaws abound in this comical look at 37-year-old career woman Kate Holbrook's (30 Rock's Tina Fey) desperate attempts to have a baby. Never mind that she's not married and has never been ! involved in a serious relationship; Kate wants a baby and will! stop at virtually nothing to get one. After failed attempts at broaching the concept of conception with first dates and trying artificial insemination with the help of a sperm bank, Kate finds out that her t-shaped uterus leaves her with only a one in a million chance of conceiving a child. Adoption doesn't work out and she's left with the distasteful option of hiring a surrogate mother. Enter Chaffee Bicknell's (Sigourney Weaver) surrogate service and her recommendation of the working-class Angie Ostrowiski (Saturday Night Live's Amy Poehler) who, with her common-law husband Carl (Dax Shepard), is just desperate enough to take on the job in order to make some money, and the stage is set for baby making. As fate would have it, Angie and Carl break up just after Angie announces she's pregnant and Angie ends up moving in with Kate. Unfortunately, the two are completely incompatible and what ensues is a hysterical struggle to coexist while clashing over everything from proper n! utrition to stroller selection, hair dye, and delivery options. Further complicating matters is Kate's budding relationship with ex-lawyer and juice-store owner Rob (Greg Kinnear), who just happens to be morally opposed to the whole concept of surrogate parenting. Finally, there's the question of just how fully Angie embraces the virtue of honesty. It's the juxtaposition of opposing viewpoints--so boldly stated, humorously set, and blatantly exploited--that makes this witty comedy so darn funny. Expect graphic references, raunchy humor, and a whole lot of laughter. --Tami Horiuchi

Beyond Baby Mama on DVD

More Tina Fey

Baby Mama o! n Blu-ra y

More from Universal Studios

Stills from Baby Mama (Click for larger image)

The typical Mommy and me workout just got a little more exciting! Three 10 minute workouts: cardio, core and calm. Great for new moms. In the 10 minute CARDIO routine, you'll melt fat and invigorate with a low-impact series where carrying the baby increases the challenge. In the 10 minute CORE routine, you'll tighten and ! tone the torso and restore beautiful posture-performed standin! g with b aby in bassinette or carriage. In the 10 minute CALM routine, you'll lengthen tight muscles and relax in a seated upright position on the mat, with your baby safe and sound (and getting lots of affection).Juno MacGuff (Ellen Page) is a cool, confident teenager who takes a nine-month detour into adulthood when she's faced with an unplanned pregnancy-and sets out to find the perfect parents for her baby. With the help of her charmingly unassuming boyfriend (Michael Cera), supportive dad (J.K Simmons) and no-nonsense stepmom (Allison Janney), Juno sets her sights on an affluent couple (Jennifer Garner and Jason Bateman) longing to adopt their first child.Somewhere between the sharp satire of Election and the rich human comedy of You Can Count On Me lies Juno, a sardonic but ultimately compassionate story of a pregnant teenage girl who wants to give her baby up for adoption. Social misfit Juno (Ellen Page, Hard Candy, X-Men: The Last Stand) pr! otects herself with a caustic wit, but when she gets pregnant by her friend Paulie (Michael Cera, Superbad), Juno finds herself unwilling to terminate the pregnancy. When she chooses a couple who place a classified ad looking to adopt, Juno gets drawn further into their lives than she anticipated. But Juno is much more than its plot; the stylized dialogue (by screenwriter Diablo Cody) seems forced at first, but soon creates a richly textured world, greatly aided by superb performances by Page, Cera, Jennifer Garner and Jason Bateman as the prospective parents, and J.K. Simmons (Spider-Man) and Allison Janney as Juno's father and stepmother. Director Jason Reitman (Thank You For Smoking) deftly keeps the movie from slipping into easy, shallow sarcasm or foundering in sentimentality. The result is smarter and funnier than you might expect from the subject matter, and warmer and more touching than you might expect from the cocky attitude. Page's per! formance is deceptively simple; she never asks the audience to! love he r, yet she effortlessly carries a movie in which she's in almost every scene. That's star power. --Bret Fetzer

Get to Know Juno's Cast

Ellen Page (Juno MacGuff)	Michael Cera (Paulie Bleeker)	Jennifer Garner (Vanessa Loring)
Jason Bateman (Mark Loring)	Allison Janney (Bren MacGuff)	J.K. Simmons (Mac MacGuff)

Beyond Juno

Juno Soundtrack

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Stills from Juno

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Armageddon

• When an asteroid the size of Texas is headed for Earth, the worlds best deep core drilling team is sent to nuke the rock from the inside.Starring: Ben Affleck, Steve Buscemi, Keith David, Will Patton, PeterStormare, Billy Bob Thornton, Liv Tyler, and Bruce Willis.Directed By: Michael BayRunning Time: 2 hrs. 31 mins.This film is presented in "Widescreen" format.Copyright 1999 Buena Vista Format

From the blockbuster-making team who produced and directed PEARL HARBOR and THE ROCK (Jerry Bruckheimer and Michael Bay) comes the biggest movie of 1998 -- ARMAGEDDON! Starring the explosive talents of Bruce Willis (DIE HARD), Academy Award(R)-winners Ben Affleck (GOOD WILL HUNTING) and Billy Bob Thornton (SLING BLADE), Liv Tyler (INVENTING THE ABBOTTS), Steve Buscemi (CON AIR), and Will Patton (INVENTING THE ABBOTTS), ARMAGEDDON is a meteor storm of action-adventure moviemaking that has you on the edge! of your seat forgetting to breathe! When NASA's executive director, Dan Truman (Thornton), realizes the Earth has 18 days before it's obliterated by a meteor the size of Texas, he has only one option -- land a ragtag team of roughneck oil drillers on the asteroid and drop a nuclear warhead into its core. Spectacular special effects, laugh-out-loud humor, great characters, riveting storytelling, and heartfelt emotion make ARMAGEDDON an exhilarating thrill ride you'll want to experience like there's no tomorrow.The latest testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid-fire pacing, and patriotic flag waving. Bay's protagonists--the eight c! rude, lewd, oversexed (but lovable, of course) oil drillers su! mmoned t o save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scotti! sh, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoyThe 1998 testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid- fire pacing, and! patriotic flag waving. Bay's protagonists--the eight crude, l! ewd, ove rsexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so ! blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy

Ghost in the Shell 2.0 [Blu-ray]

• GHOST IN THE SHELL 2.0 BLU-RAY (BLU-RAY DISC)

A film that has spawned a thousand imitations but never been bettered â€" Mamoru Oshii’s legendary anime film GHOST IN THE SHELL returns in a stunning new edition remastered by Oshii himself. For this definitive Version 2.0 release, all the original animations are re-produced with latest digital film and animation technologies, including 3D-CGI. Set in a re-imagined Hong Kong at a time when cyberspace is expanding into human reality, the story follows top cyberwarrior Major Motoko Kusanagi as she hovers on the border of total immersion in the digital world.

Fix

• FIX (DVD MOVIE)

It hurts to be beautiful.

Pretty, blond, popular Cameron Beekman has it all -- lots of girlfriends, a hot boyfriend, and a successful family. She's perfection. Gone are her days as the outcast, huge-nosed "Beakface." Which, as it turns out, was nothing a good nose job couldn't fix.

While her little sister, Allie, struggles with doubts about her own approaching "procedure," Cameron wants more. She's headed to UC "Santa Barbie" and needs to look the part. After all, why settle for smart and pretty when smart and drop-dead gorgeous is just a surgery away?To keep Leo out of prison, Bella and Milo must race against time to raise $5,000 to pay for his rehab. Events take a dangerous and deadly turn when they decide a drug deal is their only chance. Starring Olivia Wilde.

Muscletech Nitro-tech Hardcore Pro, Chocolate Milkshake, 4-Pound

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A hilarious rockumentary in the laugh-packed tradition of THIS IS SPINAL TAP -- critics everywhere are howling the praises of HARD CORE LOGO! The punk rock band Hard Core Logo is back -- reunited and hitting the road on a last-gasp tour across the western part of the nation. As magnetic lead singer Joe Dick holds the whole tour together through sheer force of will, all the tensions and pitfalls of the rock 'n' roll lifestyle come bursting hilariously to the surface! Featuring a memorable appearance by punk rock legend Joey Ramone of The! Ramones -- settle in and enjoy this offbeat comedy as it really cranks up the laughs!Hard Core Logo is often compared to This Is Spinal Tap--and for marketing purposes, that makes sense: both are pretend documentaries about rock bands (a self-important heavy metal crew in Spinal Tap, a self-destructing punk mob in Hard Core Logo). But though Hard Core Logo can be cuttingly funny, it's not really a comedy; it's a piercing examination of friendship and betrayal, success and self-hatred, and everything that fueled punk rock. Lead singer Joe Dick (Hugh Dillon) uses false pretenses to convince guitarist Billy Tallent (Callum Keith Rennie) to reform Hard Core Logo for a reunion tour across Canada, followed by a film crew (featuring director Bruce McDonald, whose other films include Roadkill and Highway 61, as himself). Tallent agrees, but only because he expects to be joining a much more successful rock group very shortly and sees! this as a favor to Dick. As they travel from town to town, th! eir rela tionship unravels, as does the psyche of bass player John Oxenberger (John Pyper-Ferguson). The performances are astonishingly genuine; even the oafish drummer Pipefitter (Bernie Coulson) becomes three-dimensional. By the end, you'll believe in them so much as people that the band's disintegration is truly wrenching. A remarkable film, both comic and sad. --Bret Fetzer

Hard Core Logo, first published in 1992, is an epistolary novel acclaimed for its realistic depiction of the life of a punk rock band. Consisting of monologues, conversations, letters, interviews, photographs, and related paraphernalia, Hard Core Logo tells the story of Joe Dick, an unrepentant, true-blue punk rocker whose scarred ideals are renewed when his band reunites for one last shot at rock 'n' roll glory. Hard Core Logo was made into a feature film in 1996; a sequel went into production in February 2010. Michael Turner's other novels include The Pornographer's Poe! m (Soft Skull Press).

Hard Core Logo is often compared to This Is Spinal Tap--and for marketing purposes, that makes sense: both are pretend documentaries about rock bands (a self-important heavy metal crew in Spinal Tap, a self-destructing punk mob in Hard Core Logo). But though Hard Core Logo can be cuttingly funny, it's not really a comedy; it's a piercing examination of friendship and betrayal, success and self-hatred, and everything that fueled punk rock. Lead singer Joe Dick (Hugh Dillon) uses false pretenses to convince guitarist Billy Tallent (Callum Keith Rennie) to reform Hard Core Logo for a reunion tour across Canada, followed by a film crew (featuring director Bruce McDonald, whose other films include Roadkill and Highway 61, as himself). Tallent agrees, but only because he expects to be joining a much more successful rock group very shortly and sees this as a favor to Dick. As they travel from town ! to town, their relationship unravels, as does the psyche of ba! ss playe r John Oxenberger (John Pyper-Ferguson). The performances are astonishingly genuine; even the oafish drummer Pipefitter (Bernie Coulson) becomes three-dimensional. By the end, you'll believe in them so much as people that the band's disintegration is truly wrenching. A remarkable film, both comic and sad. --Bret Fetzer Filmmaker Bruce McDonald's adaptation of Michael Turner's novel Hard Core Logo is about a fictitious Canadian punk band's reunion tour through the great North. Times have changed since the great punk era of the late '70s. Two decades later the music is still high-energy, but the folks playing it are a bit long in the tooth and out to prove otherwise. The music is provided by Hugh Dillon and Swamp Baby, who deliver punk fare such as the accusatory "Who the Hell Do You Think You Are?," the obvious "Rock 'n' Roll Is Fat and Ugly," and the drug-infested "China White (Ten Dollar F**k)." A take on the Dead Boys' "Sonic Reducer" lacks the focus of the o! riginal, but the inclusion of the Ramones ("Touring"), Teenage Head ("Bonerack"), and Chris Spedding ("Wild Wild Women") adds a touch of authenticity. --Rob O'Connor

Hard Core Logo, first published in 1992, is an epistolary novel acclaimed for its realistic depiction of the life of a punk rock band. Consisting of monologues, conversations, letters, interviews, photographs, and related paraphernalia, Hard Core Logo tells the story of Joe Dick, an unrepentant, true-blue punk rocker whose scarred ideals are renewed when his band reunites for one last shot at rock 'n' roll glory. Hard Core Logo was made into a feature film in 1996; a sequel went into production in February 2010. Michael Turner's other novels include The Pornographer's Poem (Soft Skull Press).

Hard Core Logo, first published in 1992, is an epistolary novel acclaimed for its realistic depiction of the life of a punk rock band. Consisting of monolog! ues, conversations, letters, interviews, photographs, and rela! ted para phernalia, Hard Core Logo tells the story of Joe Dick, an unrepentant, true-blue punk rocker whose scarred ideals are renewed when his band reunites for one last shot at rock 'n' roll glory. Hard Core Logo was made into a feature film in 1996; a sequel went into production in February 2010. Michael Turner's other novels include The Pornographer's Poem (Soft Skull Press).

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