Monday, November 14, 2011

HOUSE OF FOOLS ORIGINAL MOVIE POSTER

  • SINGLE-SIDED REGULAR 27X41 NEW
  • DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
  • SIZE: Approx 27x40 inches unless otherwise stated.
It takes place during the Russian-Chechen war, but House of Fools has the aura of the 1960s about it, specifically the anti-war picture of the King of Hearts variety. Set in a mental hospital near the front lines, the movie poses the age-old question: what happens when the inmates take over the asylum? The doctors have fled from the fighting, so the patients create their own society. Julia Vysotsky, a livewire actress, plays the central role, a blissfully unbalanced woman convinced she is the girlfriend of the singer Bryan Adams (and, game for the challenge, Adams plays himself, endlessly crooning his hit "Have You Ever Really Loved a Woman"). Director Andrei Konchalovsky (Runaway ! Train) finds suspense here, and also absurdity, but it's hard to see what the film adds to the roster of "war is hell" movies. The conflict in Chechnya deserves attention, but Konchalovsky overstates his case. --Robert HortonThe prophetic call of a modern fool for Christ.

Learn why humility is the foundation of the spiritual journey, and how to become one forever with the humble, glorified Christ.

"Urodivoi" is a Russian word meaning 'holy foolishness', and in this book, inspired by her Russian upbringing and the words of St. Paul, Catherine Doherty expresses her calling to this aspect of Russian spirituality, and calls us to become fools for Christ.

-- Touch the folly of the Cross--God's wisdom.

-- Know the peace of a repentant heart.

-- Receive courage to proclaim the Gospel with your life.

The soul, totally in love with God and therefore humanity, is called to become a fool, one of the humiliati, despised, poor, reject! ed--like Christ. This fool has the courage to go anywhere to i! mpart th e Good News. Until the end of life the soul will preach the Gospel in every circumstance, becoming one forever with the glorified Christ, and in so doing will draw a multitude to the tenderness of the heart of God.

We are invited to open the doors of our hearts to the Lord of Love, to the foolishness of the Cross, becoming a fool for the sake of Christ, even as he became a fool for our sake. "For God's foolishness is wiser than human wisdom."A little bit country, a little bit rock n' roll, House of Fools' debut EP blends classic influences like Beach Boys, Bob Dylan and Queen with contemporary ones like The Format and Ellitt Smith. Produced by Walt Vincent (Pete Yorn, The Format) with additional product by Mike Green.It takes place during the Russian-Chechen war, but House of Fools has the aura of the 1960s about it, specifically the anti-war picture of the King of Hearts variety. Set in a mental hospital near the front lines, the movie poses the ag! e-old question: what happens when the inmates take over the asylum? The doctors have fled from the fighting, so the patients create their own society. Julia Vysotsky, a livewire actress, plays the central role, a blissfully unbalanced woman convinced she is the girlfriend of the singer Bryan Adams (and, game for the challenge, Adams plays himself, endlessly crooning his hit "Have You Ever Really Loved a Woman"). Director Andrei Konchalovsky (Runaway Train) finds suspense here, and also absurdity, but it's hard to see what the film adds to the roster of "war is hell" movies. The conflict in Chechnya deserves attention, but Konchalovsky overstates his case. --Robert HortonAt age 19, Linda discovers that she and her stunning green eyes are not cut out for the working world. But, a New York City girl still needs cash. To get it, Linda dons her old Catholic school-girl uniform to fleece Times Square tourists for their travel money.
Linda's scams really begi! ns when she stumbles upon a smooth-talking character named Mal! ik who o ffers the green-eyed grifter the opportunity of a lifetime. Malik is a part of a mob of con-artists. Together, Malik and the con mob help hone Linda's skill to help them commit the biggest con the crew has ever pulled. Their target? A billionaire's gambling addicted son and the boy's trust fund. But in Linda's first real con, this trust fund baby may not be the only mark.
Things go bad pretty fast. Linda soon forgets her role in the con and begins to fight for her survival.
Fool's Eye is full of twists and turns, tricks and cons that will leave you questioning reality...and believing the con
At age 19, Linda discovers that she and her stunning green eyes are not cut out for the working world. But, a New York City girl still needs cash. To get it, Linda dons her old Catholic school-girl uniform to fleece Times Square tourists for their travel money.
Linda's scams really begins when she stumbles upon a smooth-talking character named Malik who offers the ! green-eyed grifter the opportunity of a lifetime. Malik is a part of a mob of con-artists. Together, Malik and the con mob help hone Linda's skill to help them commit the biggest con the crew has ever pulled. Their target? A billionaire's gambling addicted son and the boy's trust fund. But in Linda's first real con, this trust fund baby may not be the only mark.
Things go bad pretty fast. Linda soon forgets her role in the con and begins to fight for her survival.
Fool's Eye is full of twists and turns, tricks and cons that will leave you questioning reality...and believing the con
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Gabriel

  • GABRIEL (DVD MOVIE)
Gabriel is a dark action/drama that takes place in the realm of Purgatory. It reveals the struggle between Arc and Fallen angels for control over the city and its population of re-born souls. At present, darkness rules and Gabriel, the last of seven Arcs sent to return light, must assume a human form for the first time. In the darkest places of the human soul, this lone arc angel's battle with his human feelings and emotions will prove as perilous as facing the Fallen. Purgatory's dangerous and seedy underworld will reveal the human condition as frail and strong, as corruptible and honorable but always undeniably powerful and precious.Gabriel is a poignant love story of reincarnation, revenge, and redemption set against today's neo-Gothic underworld of vampirism and the occult.

Chayanne is modern-day vampire Gabriel, a tortured being whose only ho! pe of salvation lies in reuniting with his reincarnated soulmate, Viviana (Mexican starlet Angélica Celaya). As the descendant of an Incan priestess --who eternally cursed Pizarro (renowned acting and recording star José Luis Rodríguez) for the destruction of her village--Vivana has been killed by him for generations in revenge. This generation, Gabriel is the closest to her soul he has ever been. And once again, Pizarro threatens to rob him of his long-lost love...

Winner of six Suncoast Emmy® awards.

This 4-DVD set includes the complete first season and bonus features: Behind-the-scenes; 3 music videos; Bloopers; Exclusive scenes too hot for TV; English Subtitles

Gothika [Blu-ray]

  • A brilliant and respected criminal psychologist, Dr. Miranda Grey (Halle Berry) is an expert at knowing what is rational. Under the direction of her husband (Charles S. Dutton), Miranda treats dangerously disturbed patients at the Woodward Penitentiary for Women. But Miranda's life is thrust into terrifying jeopardy after a cryptic encounter with a mysterious young girl leads to a nightmare beyond
A brilliant and respected criminal psychologist, Dr. Miranda Grey (Halle Berry) is an expert at knowing what is rational. Under the direction of her husband (Charles S. Dutton), Miranda treats dangerously disturbed patients at the Woodward Penitentiary for Women. But Miranda's life is thrust into terrifying jeopardy after a cryptic encounter with a mysterious young girl leads to a nightmare beyond her wildest imagination.

DVD Features:
Audio Commentary
Music Video:Fred D! urst music video - "Behind Blue Eyes"
Theatrical Trailer:Fred Durst music video - "Behind Blue Eyes"

The title of Gothika prepares you for a spooky, atmospheric thriller with an emphasis on supernatural mystery. The best way to appreciate the movie itself is to understand that it's a waking nightmare that needn't make sense in the realm of sanity. Making a flashy Hollywood debut after his superior 2000 thriller Crimson Rivers, French actor-director Mathieu Kassovitz pours on the dark and stormy atmosphere, trapping a competent psychologist (Halle Berry) in the prison ward where she treated inmates (including Penelope Cruz) until she was committed for killing her husband (Charles S. Dutton), who was also her boss. Did a car crash cause her to suffer ghostly delusions, or is a young girl--dead for four years--sending clues from beyond the grave? Berry has to prove her innocence while Kassovitz keeps everything--including the viewer and costar Ro! bert Downey Jr. (as Berry's colleague)--in the dark about just! where t he nonsensical plot is leading. There's a better movie in here somewhere, among the catwalks and crannies of the impressive prison-castle setting, and Berry gives 100% in a performance that's consistent with the movie's overwrought tone. Attentive viewers will identify the killer early on, and the ending is anticlimactic, but Gothika serves up a few good shocks for ghost-story connoisseurs. --Jeff ShannonA brilliant and respected criminal psychologist, Dr. Miranda Grey (Halle Berry) is an expert at knowing what is rational. Under the direction of her husband (Charles S. Dutton), Miranda treats dangerously disturbed patients at the Woodward Penitentiary for Women. But Miranda's life is thrust into terrifying jeopardy after a cryptic encounter with a mysterious young girl leads to a nightmare beyond her wildest imagination.

DVD Features:
Audio Commentary
Music Video:Fred Durst music video - "Behind Blue Eyes"
Theatrical Trailer:! Fred Durst music video - "Behind Blue Eyes"

The title of Gothika prepares you for a spooky, atmospheric thriller with an emphasis on supernatural mystery. The best way to appreciate the movie itself is to understand that it's a waking nightmare that needn't make sense in the realm of sanity. Making a flashy Hollywood debut after his superior 2000 thriller Crimson Rivers, French actor-director Mathieu Kassovitz pours on the dark and stormy atmosphere, trapping a competent psychologist (Halle Berry) in the prison ward where she treated inmates (including Penelope Cruz) until she was committed for killing her husband (Charles S. Dutton), who was also her boss. Did a car crash cause her to suffer ghostly delusions, or is a young girl--dead for four years--sending clues from beyond the grave? Berry has to prove her innocence while Kassovitz keeps everything--including the viewer and costar Robert Downey Jr. (as Berry's colleague)--in the dark about just ! where the nonsensical plot is leading. There's a better movie ! in here somewhere, among the catwalks and crannies of the impressive prison-castle setting, and Berry gives 100% in a performance that's consistent with the movie's overwrought tone. Attentive viewers will identify the killer early on, and the ending is anticlimactic, but Gothika serves up a few good shocks for ghost-story connoisseurs. --Jeff ShannonA brilliant and respected criminal psychologist, Dr. Miranda Grey (Halle Berry) is an expert at knowing what is rational. Under the direction of her husband (Charles S. Dutton), Miranda treats dangerously disturbed patients at the Woodward Penitentiary for Women. But Miranda's life is thrust into terrifying jeopardy after a cryptic encounter with a mysterious young girl leads to a nightmare beyond her wildest imagination.The title of Gothika prepares you for a spooky, atmospheric thriller with an emphasis on supernatural mystery. The best way to appreciate the movie itself is to understand that it's a waking nightma! re that needn't make sense in the realm of sanity. Making a flashy Hollywood debut after his superior 2000 thriller Crimson Rivers, French actor-director Mathieu Kassovitz pours on the dark and stormy atmosphere, trapping a competent psychologist (Halle Berry) in the prison ward where she treated inmates (including Penelope Cruz) until she was committed for killing her husband (Charles S. Dutton), who was also her boss. Did a car crash cause her to suffer ghostly delusions, or is a young girl--dead for four years--sending clues from beyond the grave? Berry has to prove her innocence while Kassovitz keeps everything--including the viewer and costar Robert Downey Jr. (as Berry's colleague)--in the dark about just where the nonsensical plot is leading. There's a better movie in here somewhere, among the catwalks and crannies of the impressive prison-castle setting, and Berry gives 100% in a performance that's consistent with the movie's overwrought tone. Attentive viewe! rs will identify the killer early on, and the ending is anticl! imactic, but Gothika serves up a few good shocks for ghost-story connoisseurs. --Jeff Shannon

The Baby-Sitters Club #1: Kristy's Great Idea

  • ISBN13: 9780545174756
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The first of the new Collector's Club Editions features a new logo, bright new cover, and fill-in pages to personalize as Kristy comes up with the idea for the Baby-sitter's Club with friends Claudia, Stacey, and Mary Anne. It all began with a great idea ... and the inspiring original story of the Baby-sitters Club is back! Kristy Thomas's brilliant business plan gets off to a great start with the help of Claudia Kishi (vice-president), Mary Anne Spier (secretary), and Stacey McGill (treasurer).


Amazon Exclusive Inteview with Author Ann M. Martin

Q: It's been a decade since the last Baby-sitters Club books came out, and 24 years since the first book was published. What was it like to come back to the BSC after so many years away?

Martin: I had a great time re-visiting the characters. It was fun to explore their lives in the prequel, “"The Summer Before," and to figure out what led the girls to form The Baby-sitters Club, something that would eventually change their lives. It was like a reunion with friends--friends who haven’t changed a bit.

Q: Kristy, Claudia, Mary Anne, and Stacey are very different characters, which is in part why the series was and is still so popular. Every reader can relate to at least one of the characters. So, we have to ask you--which character are you most like?

Martin: I am most like Mary Anne who is the shy and quiet one. Like me, Mary An! ne enjoys more solitary pursuits such as reading and needlewor! k. My fa vorite character, however, is Kristy. I think she's my alter ego.

Q: Were you allowed to baby-sit when you were twelve? If so, were they any funny or awful stories you'd like to share?

Martin: Yes, I did a lot of baby-sitting when I was twelve. One of the worst and also funniest things that ever happened was when I was baby-sitting for our neighbors and the kids wanted to wash their parents' car. They started the job with much enthusiasm--using Brillo pads.

Q: More than 200 BSC books were published in the eighties and nineties. Are there any that you are particularly fond of and why?

Martin: My favorite Baby-sitters Club book is "Kristy's Great Idea," which is the first book and sets the series in motion. I also like the more serious books such as "Claudia and the Sad Good-bye," which deals with the death of Claudia’s grandmother. This book was written sh! ortly after my own grandmother died. My other favorite BSC books include “Kristy and the Secret of Susan,” in which the members of the BSC baby-sit for a child with autism, and "Jessi's Secret Language" in which the girls learn American Sign Language in order to communicate with a sitting charge with profound hearing impairment.

Q: Why do you think that the series is so well-loved and has endured over so many years?

Martin: I think the characters in the BSC books are easily relatable. The books deal with timeless topics including friendship, family, and school. Also, the books tackle serious issues including racism, bullying, kids with disabilities (physical and mental), and death of a loved one. These issues were relevant to kids in the 1980s and 1990s, and are still relevant to kids today. In addition to being relatable, these are characters readers can aspire to. The kids run a business--in this case, a baby! -sitting business. They are entrepreneurial, independent, crea! tive, an d confident. And at the heart of the series is the friendship--the "glue" that binds these characters. Sure, they have fights, but they're loyal and they support one another. I think a lot of us--even adults--can relate to that.

Q: "The Summer Before" takes place during the summer before the girls enter the seventh grade--where suddenly there's a ton of pressure to fit in. The months leading up to it can be filled with anxiety, excitement, and anticipation. Do you remember how you spent the summer before seventh grade?

Martin: I was nervous that summer because in the fall I would be going to a new school â€" the junior high (this was in the time before middle schools). Even the words "junior high" seemed terribly grown-up. My friends and I would be attending school with eighth-graders, who were one step away from high school. I spent that summer reading, going to the community pool, taking a family trip to Cape May! , New Jersey, doing some baby-sitting, and also recovering from surgery. But the knowledge that I would soon be in junior high school colored every day and every activity and did lend the summer an air of both anxiety and anticipation.

Q: Despite the fun the girls have together in "The Summer Before," they're all dealing with pretty tough problemsâ€"moving away, an absentee father, a first crush. How did you choose the issues you wanted to focus on?

Martin:  One of my favorite things about writing a series was that the characters themselves generated plot ideas for later books. One of the themes that developed as the series progressed was that of Kristy's relationship with her father. It was an idea I enjoyed exploring, and when I had the opportunity to write the prequel I realized that this summer would be a charged time for Kristy, and that I could introduce the issues she had with her father here; then they could! unfold in the later books. The same applied to Stacey. Her re! asons fo r moving to Stoneybrook had been revealed in later books, but I realized that during this particular summer the reader could actually watch the events take place. The other issues â€" a first crush, wanting more independence yet still feeling like a kid--are themes that I felt would resonate with most "tween" readers.

Q:
Even though the books have been out of print for ten years there are still some very devoted fans. Surely you must have received a ton of letters about the series over the years. Are there any that stick out in your mind?

Martin: The most memorable are stories of girls who have written to me and told me that I’ve made an impact on their lives, that The Baby-sitters Club books have turned them into readers. Some have also said that the BSC books made them aspire to become writers. I’ve also heard from a lot of the original fans who grew up to become teachers, librarians, editors, journalists, entre! preneurs, etc. To know that this series inspired a generation of readers and writers is very humbling.

Q: There’s been a lot of speculation in the blogosphere about where Claudia, Kristy, Mary Ann, and Stacey would be now, in 2010, had they grown up. Do you have any thoughts on what path each would have taken?

Martin:  I understand the fascination of the older BSC fans who would like to know what happened with the characters when they got older. It’s thrilling to realize that after all these years the fans remain passionate about the books and the characters in The Baby-sitters Club. I can see Kristy running a business--I can also see her being in politics. I think Mary Anne became a teacher. I imagine Stacey went into fashion--not as a designer, but maybe on the business side. And Claudia became an artist. I think fans can fill in for the rest of the characters!



Amusement [Blu-ray]

  • Tabitha. Shelby. Lisa. They're longtime friends on separate life paths. But they share a horrific destination when a seemingly innocent incident from their school days comes back to terrify them. Something - someone - wants payback: warped vengeance. mind-games vengeance.taunting, shredding, slashing vengeance. Inside a stone-walled chamber of prison cells and mechanisms of doom, the three women
Tabitha. Shelby. Lisa. Theyre longtime friends on separate life paths. But they share a horrific destination when a seemingly innocent incident from their school days comes back to terrify them. Something someone wants payback: warped vengeance…mind-games vengeance…taunting, shredding, slashing vengeance. Inside a stonewalled chamber of prison cells and mechanisms of doom, the three women and other victims face a fierce fight to survive. Who lives? Who dies? Its all for someones Amusement. From sc! reenwriter Jake Wade Wall (The Hitcher) and director John Simpson (Freeze Frame) comes a new film foray into horror. Turn down the lights. Turn up the fear.Amusement opens with a too-long scene involving a girl named Shelby’s (Laura Breckenridge) reluctance to join a trucking convoy that her boyfriend behind the wheel is for some reason totally dedicated to. One can guess if they ever return from this fateful road trip. From here, the film splinters into three more parts, focusing on Shelby’s childhood friends, Lisa (Jessica Lucas) and Tabitha (Katheryn Winnick), and finally, a serial killer who aims to ensnare them all because they didn’t laugh at his animal-torturing diorama in grade school. The killer, a brainiac who sports rubber apron, gloves, and goggles for his sick enterprises, operates on the premise that his killings are funny, and cackles ring throughout the film. There is not a tremendous amount of gore in Amusement, as it focuses on what lit! tle suspense it manages, as citizens and FBI agents alike fail! to catc h the crafty villain. Perhaps the most notable aspect to this film is the mysterious criminal ringleader, a clown doll, who appears midway through as Tabitha tries to babysit. Furthering Stephen King’s It tradition, this movie gets slightly better when the girls enter this evil clown’s territory, a bedroom packed with clown toys. However, the clown and his clown posse are a bit non sequitur, and the entire film feels confused and patched together. Return to Child’s Play if you really want to delve into evil toys and the young boys who play with them. --Trinie DaltonTabitha. Shelby. Lisa. They're longtime friends on separate life paths. But they share a horrific destination when a seemingly innocent incident from their school days comes back to terrify them. Something - someone - wants payback: warped vengeance... mind-games vengeance...taunting, shredding, slashing vengeance. Inside a stone-walled chamber of prison cells and mechanisms of doom, the! three women and other victims face a fierce fight to survive. Who lives? Who dies? It's all for someone's Amusement. From screenwriter Jake Wade Wall (The Hitcher) and director John Simpson (Freeze Frame) comes a new film foray into horror. Turn down the lights. Turn up the fear.Amusement opens with a too-long scene involving a girl named Shelby’s (Laura Breckenridge) reluctance to join a trucking convoy that her boyfriend behind the wheel is for some reason totally dedicated to. One can guess if they ever return from this fateful road trip. From here, the film splinters into three more parts, focusing on Shelby’s childhood friends, Lisa (Jessica Lucas) and Tabitha (Katheryn Winnick), and finally, a serial killer who aims to ensnare them all because they didn’t laugh at his animal-torturing diorama in grade school. The killer, a brainiac who sports rubber apron, gloves, and goggles for his sick enterprises, operates on the premise that his killings are funny, ! and cackles ring throughout the film. There is not a tremendou! s amount of gore in Amusement, as it focuses on what little suspense it manages, as citizens and FBI agents alike fail to catch the crafty villain. Perhaps the most notable aspect to this film is the mysterious criminal ringleader, a clown doll, who appears midway through as Tabitha tries to babysit. Furthering Stephen King’s It tradition, this movie gets slightly better when the girls enter this evil clown’s territory, a bedroom packed with clown toys. However, the clown and his clown posse are a bit non sequitur, and the entire film feels confused and patched together. Return to Child’s Play if you really want to delve into evil toys and the young boys who play with them. --Trinie Dalton

Barnyard: The Original Party Animals Movie (On Bikes, Original) Poster- 11x17 custom fit with RichAndFramous Black 17 inch Poster Hangers

  • Poster Hanger framing is economical and attractive
  • No metal clips to damage posters! Hangers included EZ-Hang 8mm hole on back-side.
  • Includes Poster with 2 custom fit Poster Hangers for hanging
  • Premium Quality RichAndFramous Poster Hangers in matte black to match any decor
  • Poster Hangers made in USA of strong, lightweight resin for years of use
Move over, all you pretenders...here are the original party animals â€" the animated gang of Barnyard! This laugh-filled adventure stars Otis, a carefree cow who spends his days singing, dancing and playing tricks on humans...much to the dismay of his father, Ben. Wild, wacky and "udderly" hilarious, here’s a herd of animated pranksters that’ll keep you laughing out loud!When the farmer's back is turned, the animals party down in Barnyard. A young cow named Otis (voiced by Kevin James, The King of Qu! eens) loves to have fun at the farm's wild late-night hoe-downs, despite the disapproval of his father, Ben (Sam Elliott, Thank You for Smoking). When Ben dies defending the barnyard from marauding coyotes, Otis is chosen as the new leader--but responsibility sits uneasily on Otis' head and he fears he may not be able to protect his friends from the coyotes. Barnyard's design of the cows seems inspired by Gary Larson's The Far Side comics; though the style is simple, the characters are surprisingly expressive. From moment to moment, the movie is reasonably entertaining. The actors--including Courteney Cox, Danny Glover, and David Koechner (Anchorman) as a very menacing coyote--do solid voice work and there are plenty of amusing gags. But as Barnyard gallops towards its end, the combination of cliches (the story is a clumsy reworking of The Lion King), odd choices (the male cows have udders), and lackluster dialogue makes the mov! ie sag. --Bret FetzerWhen the farmer's away, all the an! imals pl ay ... and sing, and dance. Eventually, though, someone has to step in and run things, a responsibility that ends up going to Otis (James), a carefree cow.