America Freedom to Fascism

• Sobering documentary
• over 2 hours long
• Shocking
• Motivating
• Life Changing

Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006.

Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence.

Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax, and the national identity card, which becomes law in May 2008 and will use Radio Fre! quency Identification (RFID) technology. Could this be a precursor to an impending police state in America? Watch the film and make your own conclusions.Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006. Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence. Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax, and the national identity card, which becomes law in May 2008 and will use Radio Frequency Identification (RFID) technology. Could this be a precursor to an impending police state in America? Watch the film and make your own conclusions.

William Shakespeare's Hamlet (Two-Disc Special Edition)

• Hamlet has the kind of power, energy and excitement that movies can truly exploit,' award-winning actor/director Kenneth Branagh says. In this first-ever full-text film of William Shakespeare's greatest work, the power surges through every scene. The timeless tale of murder, corruption and revenge is reset in an opulent 19th-century world, using sprawling Blenheim Palace as Elsinore and st

The Tragedie of Hamlet, Prince of Denmark - A Study with the Text of the Folio of 1623 is presented here in a high quality paperback edition. This popular classic work by George MacDonald is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of George MacDonald then we highly recommend this publication for your book collection.No Description Available.
Genre: Feature Film-Drama
Rating: UN
Release Date: 14-AUG-2007Media Type: DVDIt's the greatest work of literature, but nobody had ever filmed Hamlet uncut--until Kenneth Branagh went about the task for his lavish 1996 production. The result is a sumptuous, star-studded version that scores a palpable hit on its avowed goal: to make the text as clear and urgent as possible. Branagh himself plays the melancholy son of the Danish court, caught in a famous muddle about whether to seek revenge against his royal father's presumed slayer… the man who now sits on the throne and shares the bed of Hamlet's mother. (Or, as the song "That's Entertainment" summarizes the plot: "A ghost and a prince meet / And everyone winds up mincemeat.") As a director, Branagh (who shot the movie in 70 mm.) uses the vast, cold interiors of a vaguely 19th-century manor to gorgeous effect; the story might scurry down this hallway, into that back chamber, or sprawl out into the enormous main room. With its endless collection of mirrors, the place ! is as big and empty as Citizen Kane's Xanadu.

That ! all work s; what doesn't work is Branagh's tendency to over-direct the big dramatic moments. He indulges in quick cutting and flashbacks as though to fend off the audience's objections to the four-hour running time, and the style sometimes looks like wasted energy. The experienced Shakespearians in the cast come off nicely; Derek Jacobi's Claudius, Richard Briers' Polonius, and Michael Maloney's Laertes are just terrific. Julie Christie is a suitably attractive Gertrude, and Kate Winslet makes the most of Ophelia's mad scenes. Branagh's habit of folding in unexpected American performers is on the mark, too: Billy Crystal is surprisingly good as the Gravedigger, Robin Williams predictably camps up Osric, and Charlton Heston is an inspired choice as the grandiloquent Player King. The biggest irony here is that Branagh himself is not quite spot-on as Hamlet. Of course he speaks the lines beautifully, but Branagh's screen personality radiates certainty and clarity of vision; there's lit! tle of the doubt that might make him Hamlet-esque. Still, tremendous credit for fending off slings and arrows to get the movie made. --Robert Horton

Hank and Mike

• Hank and Mike tells the hilarious story of two blue-collar Easter Bunnies who get downsized from the job they love. Having no other work experience, they try their hand at an assortment of odd jobs, failing miserably at each. Fighting debt, eviction and eventually each other, Hank and Mike come to realize that there is something far more important than their jobs - their friendship. Format: DVD

Hank and Mike tells the hilarious story of two blue-collar Easter Bunnies who get downsized from the job they love. Having no other work experience, they try their hand at an assortment of odd jobs, failing miserably at each. Fighting debt, eviction and eventually each other, Hank and Mike come to realize that there is something far more important than their jobs - their friendship.

Something's Gotta Give

• Jack Nicholson is always a Key Feature
• Comedy Movie
• DVD

Jack Nicholson, Helen Hunt, Greg Kinnear and Cuba Gooding, Jr., star in James L. Brooks' hit comedy, As Good as it Gets. Nicholson gives a show-stopping performance as Melvin Udall, an obsessive-compulsive novelist with Manhattan's meanest mouth. But when his neighbor Simon is hospitalized, Melvin is forced to babysit Simon's dog. And that unexpected act of kindness, along with waitress Carol Connelly, helps put Melvin back in the human race.For all of its conventional plotting about an obsessive-compulsive curmudgeon (Jack Nicholson) who improves his personality at the urging of his gay neighbor (Greg Kinnear) and a waitress (Helen Hunt) who inspires his best behavior, this is one of the sharpest Hollywood comedies of the 1990s. Nicholson could play his role in his sleep (the Oscar he won should have gone to Rober! t Duvall for The Apostle), but his mischievous persona is precisely necessary to give heart to his seemingly heartless character, who is of all things a successful romance novelist. As a single mom with a chronically asthmatic young son, Hunt gives the film its conscience and integrity (along with plenty of wry humor), and she also won an Oscar for her wonderful performance. Greg Kinnear had to settle for an Oscar nomination (while cowriter-director James L. Brooks was inexplicably snubbed by Oscar that year), but his work was also singled out in the film's near-unanimous chorus of critical praise. It's questionable whether a romance between Hunt and the much older Nicholson is entirely believable, but this movie's smart enough--and charmingly funny enough--to make it seem endearingly possible. --Jeff ShannonHarry Sanborn (Jack Nicholson) is a perennial playboy with a libido much younger than his years. During what was to have been a romantic weekend with his ! latest infatuation, Marin (Amanda Peet), at her mother's Hampt! ons beac h house, Harry develops chest pains. He winds up being nursed by Marin's reluctant mother Erica Barry (Diane Keaton), a successful, divorced New York playwright. In the process, Harry develops more heart pangs -- the romantic kind -- for Erica, an age-appropriate woman whom he finds beguiling. However, some habits die hard. When Harry hesitates, his charming thirty something doctor (Keanu Reeves) steps in and starts to pursue Erica. And Harry, who has always had the world on a string, finds his life unraveling.As upscale sitcoms go, Something's Gotta Give has more to offer than most romantic comedies. Obviously working through some semi-autobiographical issues regarding "women of a certain age," writer-director Nancy Meyers brings adequate credibility and above-average intelligence to what is essentially (but not exclusively) a fantasy premise, in which an aging lothario who's always dated younger women (Jack Nicholson, more or less playing himself) falls for a succes! sful middle-aged playwright (Diane Keaton) who's convinced she's past the age of romance, much less sexual re-awakening. As long as old pals Nicholson and Keaton are on screen discussing their dilemma or discovering their mutual desire, Something's Gotta Give is terrific, proving (in case anyone had forgotten) that Hollywood can and should aim for an older demographic. Myers falls short with the sitcom device of a younger lover (Keanu Reeves) who wants Keaton as much as Nicholson does; it's believable but shallow and too easily dismissed. Myers also skimps on supporting roles for Frances McDormand, Amanda Peet, and Jon Favreau, but thankfully this is one romantic comedy that doesn't pander to youth. Mature viewers, rejoice! --Jeff Shannon

Blazing Saddles (30th Anniversary Special Edition)

• The railroad's got to run through the town of Rock Ridge. How do you drive out the townfolk in order to steal their land? Send in the toughest gang you've got.and name a new sheriff who'll last about 24 hours.But that's not really the plot of Blazing Saddles, just the pretext. Once Mel Brooks' lunatic film many call his best gets started, logic is lost in a blizzard of gags, jokes, quips, puns, h

The railroad's got to run through the town of Rock Ridge. How do you drive out the townfolk in order to steal their land? Send in the toughest gang you've got...and name a new sheriff who'll last about 24 hours. But that's not really the plot of Blazing Saddles, just the pretext. Once Mel Brooks' lunatic film many call his best gets started, logic is lost in a blizzard of gags, jokes, quips, puns, howlers, growlers and outrageous assaults upon good taste or any taste at all. Cleavon Little as the new! lawman, Gene Wilder as the wacko Waco Kid, Brooks himself as a dim-witted politico and Madeline Kahn in her Marlene Dietrich send-up that earned an Academy Award nomination all give this sagebrush saga their lunatic best. And when Blazing Saddles can't contain itself at the finale, it just proves the Old West will never be the same!Mel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humor is so juvenile and crude that you just have to surrender to it; highlights abound, from the lunkheaded Alex Karras as the ox-riding Mongo to Madeline Kahn's uproa! rious send-up of Marlene Dietrich as saloon songstress Lili Vo! n Shtupp . Adding to the comedic excess is the infamous campfire scene involving a bunch of hungry cowboys, heaping servings of baked beans and, well, you get the idea. --Jeff ShannonMel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humor is so juvenile and crude that you just have to surrender to it; highlights abound, from the lunkheaded Alex Karras as the ox-riding Mongo to Madeline Kahn's uproarious send-up of Marlene Dietrich as saloon songstress Lili Von Shtupp. Adding to the comedic excess is the infamous campfire scene involving a bunch of hu! ngry cowboys, heaping servings of baked beans and, well, you get the idea. --Jeff Shannon

Studio Classics - Best Picture Collection (Sunrise / How Green Was My Valley / Gentleman's Agreement / All About Eve)

• Features include: -MPAA Rating: UNRATED -Format: DVD-Runtime: 469 minutes

From the moment she glimpses her idol at the stage door, Eve Harrington (ANN BAXTER) is determined to take the reins of power away from the great actress Margo Channing (BETTE DAVIS). Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (GARY MERRILL), her playwright (HUGH MARLOWE) and his wife (CELESTE HOLM). Only the cynical drama critic (Oscar winner GEORGE SANDERS) sees through Eve, admiring her audacity and perfect pattern of deceit. THELMA RITTER and MARILYN MONROE co-star in this acclaimed classic, which won six Academy Awards and received the most nominations (14) in film history.Showered with Oscars, this wonderfully bitchy (and witty) comedy written and directed by Joseph L. Mankiewicz concerns an aging theater star (Bette ! Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) whom she helped. This is a film for a viewer to take in like a box of chocolates, packed with scene-for-scene delights that make the entire story even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screenwriter and the brilliant director of A Letter to Three Wives, The Barefoot Contessa, and Sleuth. --Tom KeoghFrom the moment she glimpses her idol on Broadway, Eve Harrington (Anne Baxter) strives to upstage Margo Channing (Bette Davis). After cunningly stealing Margo’s role, Eve disrupts the lives of anyone close to the actress in this timeless cinematic masterpiece that earned a record 14 Oscar® Nominations*, winning six â€" including Best Picture! Showered with Oscars, thi! s wonderfully bitchy (and witty) comedy written and directed b! y Joseph  L. Mankiewicz concerns an aging theater star (Bette Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) whom she helped. This is a film for a viewer to take in like a box of chocolates, packed with scene-for-scene delights that make the entire story even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screenwriter and the brilliant director of A Letter to Three Wives, The Barefoot Contessa, and Sleuth. --Tom KeoghFrom the moment she glimpses her idol at the stage door, Eve Harrington (ANN BAXTER) is determined to take the reins of power away from the great actress Margo Channing (BETTE DAVIS). Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend! (GARY MERRILL), her playwright (HUGH MARLOWE) and his wife (CELESTE HOLM). Only the cynical drama critic (Oscar winner GEORGE SANDERS) sees through Eve, admiring her audacity and perfect pattern of deceit. THELMA RITTER and MARILYN MONROE co-star in this acclaimed classic, which won six Academy Awards and received the most nominations (14) in film history.Showered with Oscars, this wonderfully bitchy (and witty) comedy written and directed by Joseph L. Mankiewicz concerns an aging theater star (Bette Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) whom she helped. This is a film for a viewer to take in like a box of chocolates, packed with scene-for-scene delights that make the entire story even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screen! writer and the brilliant director of A Letter to Three Wive! s, < i>The Barefoot Contessa, and Sleuth. --Tom KeoghStudio: Tcfhe Release Date: 08/30/2011 Run time: 119 minutes Rating: NrShowered with Oscars, this wonderfully bitchy (and witty) comedy written and directed by Joseph L. Mankiewicz concerns an aging theater star (Bette Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) whom she helped. This is a film for a viewer to take in like a box of chocolates, packed with scene-for-scene delights that make the entire story even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screenwriter and the brilliant director of A Letter to Three Wives, The Barefoot Contessa, and Sleuth. --Tom KeoghShowered with Oscars, this wonderfully bitchy (and witty) comedy written and directed ! by Joseph L. Mankiewicz concerns an aging theater star (Bette Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) whom she helped. This is a film for a viewer to take in like a box of chocolates, packed with scene-for-scene delights that make the entire story even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screenwriter and the brilliant director of A Letter to Three Wives, The Barefoot Contessa, and Sleuth. --Tom KeoghShowered with Oscars, this wonderfully bitchy (and witty) comedy written and directed by Joseph L. Mankiewicz concerns an aging theater star (Bette Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) whom she helped. This is a film for a viewer to take in like a box of ch! ocolates, packed with scene-for-scene delights that make the e! ntire st ory even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screenwriter and the brilliant director of A Letter to Three Wives, The Barefoot Contessa, and Sleuth. --Tom KeoghSTUDIO CLASSICS BEST PICTURE - DVD MovieSunrise (1927)
There are those who rate Sunrise the greatest of all silent films. Then again, some consider it the finest film from any era. Such claims invite a backlash, but do yourself a favor and give it a look. At the very least, you'll know you've seen a movie of extraordinary visual beauty and emotional purity. This universal tale of a farm couple's journey from country to city and back again was the first American film for F.W. Murnau, the German director of Nosferatu and The Last Laugh whose everyday scenes seemed ! haunted by phantoms and whose most extravagant visions never lost touch with reality. Hollywood afforded him the technical resources to unleash his imagination, and in turn he opened up the power of camera movement and composition for a generation of American filmmakers. You'll never forget the walk in the swamp, the ripples on the lake, the trolley ride from forest to metropolis. This movie defines the cinema. --Richard T. Jameson

How Green Was My Valley (1941)
John Ford's beautiful, heartfelt drama about a close-knit family of Welsh coal miners is one of the greatest films of Hollywood's golden age--a gentle masterpiece that beat Citizen Kane in the Best Picture race for the 1941 Academy Awards. The picture also won Oscars for Best Director (Ford), Best Supporting Actor (Donald Crisp), Best Art Direction, and Best Cinematography; all of those awards were richly deserved, even if they came at the expense of Kane and Orson Welles. ! Based on the novel by Richard Llewellyn, the film focuses its! eventfu l story on 10-year-old Huw (Roddy McDowall), youngest of seven children to Mr. and Mrs. Morgan (Donald Crisp, Sarah Allgood), a hardy couple who've seen the best and worst of times in their South Wales mining town. They're facing one of the worst times as Mr. Morgan refuses to join a miners union whose members have begun a long-term strike. Family tensions grow and Huw must learn many of life's harsher lessons under the tutelage of the local preacher (Walter Pidgeon), who has fallen in love with Huw's sister (Maureen O'Hara). As various crises are confronted and devastating losses endured, How Green Was My Valley unfolds as a rich, moving portrait of family strength and integrity. It's also a nod to a simpler, more innocent time--and to the preciousness of memory and the inevitable passage from youth to adulthood. An all-time classic, not to be missed. --Jeff Shannon

Gentleman's Agreement (1947)
Elia Kazan directed this sometimes powerful ! study of anti-Semitism in nicer circles, based on Laura Z. Hobson's post-World War II novel. Gregory Peck is a hotshot magazine writer who has been blind to the problem; to ferret it out, he passes himself off as Jewish and watches the WASPs squirm. Seen a half-century later, the attitudes seem quaint and dated: Could it really have been like this? Yet the truth of the story comes through, in the wounded dignity of John Garfield, the upright indignation of Peck, and the hidden ways bigotry and hatred can poison relationships. That's particularly true in the Oscar-winning performance of Celeste Holm, who finds more layers than you'd expect in what seems like a stock character. --Marshall Fine

All About Eve (1950)
Showered with Oscars, this wonderfully bitchy (and witty) comedy written and directed by Joseph L. Mankiewicz concerns an aging theater star (Bette Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) w! hom she helped. This is a film for a viewer to take in like a ! box of c hocolates, packed with scene-for-scene delights that make the entire story even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screenwriter and the brilliant director of A Letter to Three Wives, The Barefoot Contessa, and Sleuth. --Tom Keogh

Everyone's Hero : Widescreen Edition

• Widescreen

Ten-year-old baseball fanatic Yankee Irving (voiced by newcomer Jake T. Austin) is always the last one picked for sandlot baseball games. But when Babe Ruth's prized bat is stolen during the 1932 World Series, Yankee steps up to the plate to help retrieve it for his beloved idol. He embarks on a wild cross-country journey that teaches him the stuff real heroes are made of, and along the way, Yankee learns the importance of perseverance and the true meaning of friendship.

A talking baseball and a talking bat might not be the most likely characters to inspire a personal revelation about perseverance and self-esteem, but in Everyone's Hero it's just those two things that help young Yankee Irving (Jake T. Austin) overcome his reputation as a baseball loser and become a true American hero. A ten-year old spurned by the neighborhood kids because of his repeated strike-outs at ba! t, Yankee is at a point of personal crisis. A chance encounter with a talking foul ball named Screwie (Rob Reiner) and some time spent with his father (Mandy Patinkin), who's a janitor for the New York Yankees, gives Yankee cause for some serious reflection. When Babe Ruth's famous bat "Darlin'" (Whoopi Goldberg) is stolen by opposing teammate Lefty Maginnis (William H. Macy) and Yankee's father is fired as a result of the theft, it suddenly falls to Yankee and his new friend Screwie to find Darlin' and return her to Babe Ruth before the Chicago Cubs loose the final game of the World Series to the New York Yankees. The combined efforts of Screwie, Darlin', and new friend Marti Brewster (Raven-Symoné) aid Yankee in conquering his own self-doubt and infuse him with the self-confidence and strength to profoundly affect both his family and the entire baseball world. Produced by Christopher Reeve, this CGI animated presentation features a great cast of characters and voice tale! nt, and an important message about the power of perseverance. ! (Ages 5 and older) --Tami Horiuchi

Beyond Everyone's Hero

Everyone's Hero: The Movie Storybook (Paperback)

More Sports-Themed Family Films

Nothing is Impossible: Reflections on a New Life by Christopher Reeve

Stills from Everyone's Hero

EVERYONE'S HERO/FIREHOUSE DOG - DVD MovieDVD

Cobra Verde (Slave Coast) [NTSC/REGION 1 & 4 DVD. Import-Latin America] by Werner Herzog (Spanish subtitles)

• https://catalog.amazon.com/abis/edit/DisplayEditProduct.amzn?sku=FAA7506036013609&asin=B00267U1YK

CAVE OF FORGOTTEN DREAMS, a breathtaking new documentary from the incomparable Werner Herzog (Encounters at the End of the World, Grizzly Man), follows an exclusive expedition into the nearly inaccessible Chauvet Cave in France, home to the most ancient visual art known to have been created by man. One of the most successful documentaries of all time, CAVE OF FORGOTTEN DREAMS is an unforgettable cinematic experience that provides a unique glimpse of pristine artwork dating back to human hands over 30,000 years ago -- almost twice as old as any previous discovery.Contemplative and reflective, Cave of Forgotten Dreams confirms Werner Herzog as one of the finest and most original chroniclers of the natural world. His abiding fascination with flight, which fueled films like Little Dieter ! Needs to Fly and White Diamond, finds counterpoint here as he goes below ground to document the oldest paintings known to man. Discovered in 1994, France's Chauvet Cave offers a privileged insight into another time and place. While the walls feature artwork from over 30,000 years ago, ancient animal bones cover the ground, and layers of sparkly calcite coat every surface (paleontologists believe humans never actually lived there). In his narration, Herzog explains that he and his crew had to obtain special permission, could only shoot for a few hours during specific seasons, and couldn't leave the designated walkways, so cinematographer Peter Zeitlinger (Bad Lieutenant: Port of Call New Orleans) attached a camera to a stick to capture the painting of a minotaur and a woman that adorns a prominent outcropping. Unlike some 3-D features, Cave of Forgotten Dreams benefits from the added dimension, providing a breathtaking you-are-there effect. Of course! , it wouldn't be a Herzog picture without a mesmerizing score,! a few e ccentric characters, and some bizarre bits of business. In this case, he includes a master perfumer who sniffs out hidden caves and a philosophical archaeologist who used to work as a circus performer. The documentary concludes with a quintessentially Herzogian postscript featuring the eerie radioactive albino crocodiles who live downwind from the cave. --Kathleen C. FennessyCAVE OF FORGOTTEN DREAMS, a breathtaking new documentary from the incomparable Werner Herzog (Encounters at the End of the World, Grizzly Man), follows an exclusive expedition into the nearly inaccessible Chauvet Cave in France, home to the most ancient visual art known to have been created by man. One of the most successful documentaries of all time, CAVE OF FORGOTTEN DREAMS is an unforgettable cinematic experience that provides a unique glimpse of pristine artwork dating back to human hands over 30,000 years ago -- almost twice as old as any previous discovery.Contemplative and reflective, Ca! ve of Forgotten Dreams confirms Werner Herzog as one of the finest and most original chroniclers of the natural world. His abiding fascination with flight, which fueled films like Little Dieter Needs to Fly and White Diamond, finds counterpoint here as he goes below ground to document the oldest paintings known to man. Discovered in 1994, France's Chauvet Cave offers a privileged insight into another time and place. While the walls feature artwork from over 30,000 years ago, ancient animal bones cover the ground, and layers of sparkly calcite coat every surface (paleontologists believe humans never actually lived there). In his narration, Herzog explains that he and his crew had to obtain special permission, could only shoot for a few hours during specific seasons, and couldn't leave the designated walkways, so cinematographer Peter Zeitlinger (Bad Lieutenant: Port of Call New Orleans) attached a camera to a stick to capture the painting of a minota! ur and a woman that adorns a prominent outcropping. Unlike som! e 3-D fe atures, Cave of Forgotten Dreams benefits from the added dimension, providing a breathtaking you-are-there effect. Of course, it wouldn't be a Herzog picture without a mesmerizing score, a few eccentric characters, and some bizarre bits of business. In this case, he includes a master perfumer who sniffs out hidden caves and a philosophical archaeologist who used to work as a circus performer. The documentary concludes with a quintessentially Herzogian postscript featuring the eerie radioactive albino crocodiles who live downwind from the cave. --Kathleen C. FennessySinopsis: Un temido hombre llamado Cobra Verde, es contratado por el dueño de un plantío para supervisar a los esclavos que trabajan las tierras. Cuando el dueño sospecha que Cobra Verde está relacionándose con sus hijas, lo destierra mandándolo directamente a África. Como el único hombre blanco del lugar, Cobra Verde se vuelve víctima de tortura y humillación. Contra la adversidad pronto se convierte en líder de un movimiento rebelde de la milicia. Poco a poco y con la presión de sentirse invencible, Cobra Verde comienza a perder la razón... Una oscura película de Werner Herzog que demuestra una vez más la habilidad del cineasta de contar historias llenas de fuerza y emociones pero en pos de la redención.

Behind the Sun

• ISBN13: 9781439213544
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Golden Globe Award Nominee for Best Foreign Language Film, BEHIND THE SUN is a critically acclaimed story about love, loyalty, and the choice a son must make between honoring his family and following his heart. In the brutal Brazilian badlands of 1910, two families are locked in a bloody, generations-old feud. In one family, the oldest remaining son, distressed by the prospect of death and encouraged by his younger brother -- begins to question the cycle of violence. Then a beautiful young woman crosses his path and opens his eyes to life outside his culture's rigid code of honor. Stunningly photographed and exquisitely told, this outstanding motion picture masterpiece will transport you to a vastly di! fferent place and time ... a place somewhere "behind the sun"!Behind the Sun is a rapturous Western, a big film about a big, unwanted destiny visited upon a vulnerable, young hero. Adapted from the novel Broken April by Albanian writer Ismail Kadare (the story has been transferred from Europe to Brazil's rugged, northeastern badlands in 1910), Behind the Sun concerns two families and their long-running land war, which has robbed many a young man of his hope, love and, ultimately, life. Sent by his aggrieved father to avenge the slaying of an older brother, Tonho (Rodrigo Santoro), in torment, carries out his bloody, ancestral obligation and then proposes a truce between the families. Director Walter Salles (Central Station) aims to make a magnificently crafted, lush, and exotic epic told in broad strokes for art house aficionados, and he succeeds almost to a self-conscious fault. Still, there is nothing like a stirring, archetypal tragedy about! the endless repercussions of violence and the sacrifice of in! nocence to a dubious cause. --Tom KeoghDVD-Behind The Sun by Open Doors FilmsProducer Phil Collins helped Clapton crack the Top 40 with this 1985 LP. Clapton scored hits with Forever Man and See What Love Can Do and lays down stellar guitar throughout (as on Same Old Blues ).Men Behind The Sun is the true story of the Japanese prison camp, Manchu 731, where people were subjected to tremendous horrors. This film is very powerful and hard to watch but it's a film that should be seen by everyone, to show the fact that there were more victims that suffered during World War 2 than most people are aware of. Near the end of WW2, Japan is losing the war so a prison camp is created to test new biological and chemical weapons that might be able to help them win. In order to test these new weapons, the Japanese need to use test subjects, so they capture and use Chinese and Russians as guinea pigs for their cruel and barbaric experiments. The Japanese refer to the test subjects as Maruta! , which translates to the word material. We follow the experiments performed on the Maruta by the crazy leader who runs the prison camp and a group of young boys that are enrolled in the camp but they cannot stand to deal with this cruelty. Although all 731 prison camp members disappeared into the darkness and all of the witnesses & records were destroyed, the bloody story of the devil 731 Bacterial Camps marked the immortal history of true and real, cruel and merciless evil. Includes Original Theatrical Trailer Written Director Interview Director FilmographyBehind the Sun by Sue Nielsen follows Sally Burns and a team of elite experts when they are assigned to travel to a newly discovered planet on the opposite side of the Sun, one almost identical to Earth in mass, orbit, and size. What they encounter challenges their beliefs about Earth history, its development, and the nature of reality itself. Facing sabotage, violence, and events and creatures of mythological! scope, Sally and the team are unprepared for the shattering r! evelatio ns they encounter. In the end, Sally and the others find that there is a greater fate waiting for them, one more profound than Sally, or anyone, could have ever imagined. Written in masterful prose and told in the best traditions of the sci-fi action genre, Behind the Sun builds on mythological and religious traditions, science, and pure imagination to create a world like no other. Populated with compelling characters and thrilling plot lines, Sue Nielsen has written a book that will grab you by the collar and not let go.

Purple TPU Flexible Case For Apple Iphone 4 4G

• Lightweight, slimfit soft case that is tear resistant.
• Molded to twist and bend but not stretch out of shape.
• Protects your Iphone 4 from scratches, bumps, and dings.
• Complete access to all functionality and buttons without removing iPhone from the case.
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Jayne (Parker Posey) and Laura (Demi Moore) are about to take on the first man they just might not be able to handle: their father Joe (Rip Torn). Dutiful daughters returning to the house they grew up in, Jayne and Laura are forced to take a closer look at their own not-so-perfect lives. Laura suspects that Joe needs full-time care, but Jayne refuses to believe that their father’s condition is serious. Jayne’s compulsion to escape reality only increases Laura’s attempts to yank her back down to earth. Meanwhile, Joe still sings and plays the blues on his prized g! uitar, and the lively widower even has a new “ladyfriend,” shameless and sassy Shelly (Ellen Barkin). Tensions flare as Joe’s senility increases and the close sisters must also juggle their own very different lives â€" but their adventures back home are not without merriment, mischief and even a little childhood magic.Parker Posey and Demi Moore prove inspired casting as troubled sisters in Happy Tears. Posey (all quirks and neuroses) plays Jayne, the sister who married the wealthy but unstable son of a famous artist and is now enveloped in a bubble of money; Moore (half woman warrior, half earth mother) plays Laura, the sister who isn't rich and who has ended up taking care of their increasingly erratic father, Joe (Rip Torn, Men in Black, The Larry Sanders Show), and who is managing--just barely--not to resent Jayne for the difference in their lives. But Joe is slipping into dementia and giving away money to a needy addict named Shelly (Ellen Ba! rkin, Ocean's Thirteen, Sea of Love), so Jayne c! omes bac k home to decide with Laura what to do. Happy Tears is a peculiar yet vivid movie; the naturalistic surface of its domestic drama is punctured with odd moments of surrealism, such as when Jayne hallucinates that a boot salesman has turned into a vulture. The plot wanders, the characters are explored unevenly, yet moment to moment Happy Tears holds you by virtue of a surprising honesty. Jayne, Laura, Joe, and Shelly feel--despite a bit of hamminess in the performances--like real people, with jagged edges that can't be ignored or explained away. --Bret Fetzer

Stills from Happy Tears (Click for larger image)
PRINCESS KAIULANI - DVD MoviePrincess Kaiulani is a moving film that's part romantic epic, part historical period piece. But mostly it's a portrait of how a frightened young girl grew into an extraordinary woman. The film begins in 1889, when civil unrest unseated Hawaii's royal family and the Hawaiian people began a struggle to maintain their independence and right of self-governance, and when the 13-year-old princess Ka'iulani ! (Q'orianka Kilcher), who was next in line for the Hawaiian thr! one, was exiled to England to ensure her safety. Shot on location in both England and Hawaii by indie director Marc Forby, this breathtakingly beautiful film follows Ka'iulani as she is plopped down in a foreign world that looks upon Hawaiians as barbarians and where her royal heritage counts for virtually nothing. Princess Ka'iulani, or "Victoria," as the English often call her, endures harsh treatment at the hands of both teachers and students at boarding school, but she refuses to crumble, carrying on with a strength and quiet resolve that's powerfully portrayed by Kilcher. As Ka'iulani matures, she falls in love with Englishman Clive Davies (Shaun Evans) and becomes engaged. Just as Ka'iulani's happiness seems assured, her father visits her in England, bringing with him serious news: her uncle, King Kalakaua (Ocean Kaowili), has died unexpectedly after having been forced to adopt a constitution in conflict with the best interests of the Hawaiian people, and Ka'iulani's aunt Lili! u'okalani (Leo Anderson Akana), who ascended to the throne, has subsequently been put under house arrest and removed from power. Incensed by the grave injustices inflicted upon her people, Princess Ka'iulani is propelled by her inherent sense of duty to sacrifice her own potential happiness. She journeys first to America, where she eloquently pleads with outgoing president Grover Cleveland for his help, and later to Hawaii, where she fights for her people's rights in person. Princess Kaiulani is a powerful film, and what comes across so strongly is not just the often-overlooked perspective of the native Hawaiian people regarding America's annexation of Hawaii and the cultural consequences of that annexation, but the truly heroic acts of Hawaii's extraordinary Princess Ka'iulani. --Tami HoriuchiGermany released, Blu-Ray/Region B : it WILL NOT play on regular DVD player, or on standard US Blu-Ray player. You need multi-region Blu-Ray player to view it in USA/Can! ada: LANGUAGES: English ( Dolby Digital 5.1 ), German ( Dolby ! Digital 5.1 ), German ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Biographies, Filmographies, Interactive Menu, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: Jayne and Laura are about to take on the first man they just might not be able to handle: their seventy-something-year-old father Joe. Dutiful daughters returning to the house they grew up in, Jayne and Laura are forced to take a closer look at their own not-so-perfect lives while dodging childhood memories. Laura suspects that Joe needs full-time care, but Jayne hopes that their father's condition isn't that serious. Joe is still singing and playing his old guitar, and the lively widower even has a new 'ladyfriend,' shameless and sassy Shelly. But as the visible moments of their father's impending senility increase, so do the dysfunctional family dynamics. Tensions flare as the close sisters must also juggle their own very different lives - Laura's busy schedule as an environmentalist and mother of two small chi! ldren, and Jayne, desperate to finally have a baby with her workaholic art-dealing husband Jackson. Their adventures back home are not without magic, mischief and mayhem, and even a search for buried treasure in the backyard! Any tears that Jayne and Laura might shed will be happy ones. SCREENED/AWARDED AT: Berlin International Film Festival, ...Happy TearsStudio: Kino International Release Date: 10/19/2004The domestic disciplinary adventures of a family consisting of the beautiful widowed Eleanor Stanfield, her teenage daughter, Arthur Hadley, a handsome widower, and his spoiled, haughty offspring. When Eleanor and Arthur marry, the domineering stepmother sets out for the ultimate training of both girls, enhancing the blissful relationship between the newlyweds. A psychological study of both the erotic and disciplinary effects of corporal punishment. Illustrated.CLASSIC CHASTISEMENT The domestic disciplinary adventures of a family consisting of the beautiful widowed Elean! or Stanfield, her teenage daughter, Arthur Hadley, a handsome ! widower, and his spoiled, haughty offspring. When Eleanor and Arthur marry, the domineering stepmother sets out for the ultimate training of both girls, enhancing the blissful relationship between the newlyweds. A psychological study of both the erotic and disciplinary effects of corporal punishment.

Ink

• INK (DVD MOVIE)

Four souls bound by fate, romance and tragedy collide in the parallel worlds of London and the futuristic Meanwhile City, where a single bullet will alter the course of their lives forever. A masked detective, a self-destructive art student, a desperate father, and a lovelorn romantic are just a few of the unforgettable characters in this visually stunning fantasy thriller starring Eva Green (Casino Royale), Sam Riley (Control), Ryan Phillippe (Crash), Richard Coyle (Coupling), Bernard Hill (The Lord of the Rings), Art Malik (The Wolf Man), and Susannah York (Superman).Four souls bound by fate, romance and tragedy collide in the parallel worlds of London and the futuristic Meanwhile City, where a single bullet will alter the course of their lives forever. A masked detective, a self-destructive art student, a desperate father, and a lovelorn romantic are just a few of the un! forgettable characters in this visually stunning fantasy thriller starring Eva Green (Casino Royale), Sam Riley (Control), Ryan Phillippe (Crash), Richard Coyle (Coupling), Bernard Hill (The Lord of the Rings), Art Malik (The Wolf Man), and Susannah York (Superman).IT'S A WONDERFUL LIFE meets SIN CITY in this high-concept visual thriller. John and Emma, father and daughter, are thrust into a fantastical dream-world battle between forces of good and evil in this allegorical tale of love, loss and the search for redemption.

Cloud b Mimicking Monkey

• Plays three unique sounds for fun and sleep: Monkey fun, Angel falls, Lullaby
• Records voices over all sound options
• Illustrated storybook and adoption certificate

Hot leading man Rupert Everett (AN IDEAL HUSBAND, MY BEST FRIEND'S WEDDING) stars in a sexy thriller that's all about jealousy, passion, revenge ... and a woman compelled to live her life on the edge! Tired of criminal activity, a wild and beautiful thief named B. (Asia Argento -- QUEEN MARGOT) begins to seek a way out of her dangerous profession. While trying to kick her addiction to crime, she finds love and a stable relationship with a naive schoolteacher (Jared Harris -- I SHOT ANDY WARHOL) ... until the dark secrets from B.'s past begin to creep into her new life! As ex-partners Paul (Everett) and Bruno (Jonathan Rhys-Meyers -- MICHAEL COLLINS) get back in the picture, B.'s harrowing balancing act threatens to c! ome crashing down!Director Michael Radford made a surprising about-face from his international hit Il Postino to this grungy British romantic crime thriller. Asia Argento (Dario's daughter and costar of Abel Ferrara's New Rose Hotel) is the title character, a street criminal whose specialty is breaking and entering: "I can get into anywhere." Jared Harris (Richard's son and Andy Warhol in I Shot Andy Warhol) is a bookish, shy schoolteacher with a yen for jazz who becomes smitten with Argento's sexy wildcat. Argento brings a vitality to the supercharged street thief trying to break with her past, but stick-in-the-mud Harris is restrained to a fault and Radford never quite finds the right chemistry to make their union any more than curious. Rupert Everett costars as a smart-mouthed, sleepy-eyed ne'er-do-well whose drug habit puts him deep in debt, and Jonathan Rhys-Meyers is Argento's volatile partner, a jittery young punk on a hair trigger. Radford has m! ore fun with the villains than his ostensible hero; the film b! ubbles w hen they're on screen and the movie's single heist scene is a short, sharp, energized shot in the arm to a slowing story. Only Harris sticks out as an impossibly resolute saint who's dedicated his life to a passionate sinner. The conclusion reverberates with echoes of Straw Dogs, as remade by a kinder, gentler filmmaker. --Sean Axmaker Rupert Everett stars in this sexy thriller that's all about jealousy, passion, revenge and a woman compelled to live her life on the edge.
Tired of criminal activity, a wild and beautiful thief named B. (Asia Argento) begins to look for a way out of her dangerous profession. While trying to kick her addiction to crime, she finds love with a naive schoolteacher (Jared Harris)â€"until the dark secrets from B.'s past begin to creep into her new life. As ex-partners Paul (Everett) and Bruno (Jonathan Rhys Meyers) get back in the picture, you'll feel the intensity build as B.'s harrowing balan! cing act threatens to come crashing down.ASIA ARGENTO PACK:SCARLET DIVA/LOVE B - DVD MovieDirector Michael Radford made a surprising about-face from his international hit Il Postino to this grungy British romantic crime thriller. Asia Argento (Dario's daughter and costar of Abel Ferrara's New Rose Hotel) is the title character, a street criminal whose specialty is breaking and entering: "I can get into anywhere." Jared Harris (Richard's son and Andy Warhol in I Shot Andy Warhol) is a bookish, shy schoolteacher with a yen for jazz who becomes smitten with Argento's sexy wildcat. Argento brings a vitality to the supercharged street thief trying to break with her past, but stick-in-the-mud Harris is restrained to a fault and Radford never quite finds the right chemistry to make their union any more than curious. Rupert Everett costars as a smart-mouthed, sleepy-eyed ne'er-do-well whose drug habit puts him deep in debt, and Jonathan Rhys-Meyers is Argento's! volatile partner, a jittery young punk on a hair trigger. Rad! ford has more fun with the villains than his ostensible hero; the film bubbles when they're on screen and the movie's single heist scene is a short, sharp, energized shot in the arm to a slowing story. Only Harris sticks out as an impossibly resolute saint who's dedicated his life to a passionate sinner. The conclusion reverberates with echoes of Straw Dogs, as remade by a kinder, gentler filmmaker. --Sean Axmaker 12 MONKEYS SPECIAL EDITION - DVD MovieInspired by Chris Marker's acclaimed short film LaJetée (which is included on the DVD Short 2: Dreams), 12 Monkeys combines intricate, intelligent storytelling with the uniquely imaginative vision of director Terry Gilliam. The story opens in the wintry wasteland of the year 2035, where a virulent plague has forced humans to live in a squalid, oppressively regimented underground. Bruce Willis plays a societal outcast who is given the opportunity to erase his criminal record by "volunteering" to time! -travel into the past to obtain a pure sample of the deadly virus that will help future scientists to develop a cure. But in bouncing from 1918 to the early and mid-1990s, he undergoes an ordeal that forces him to question his own perceptions of reality. Caught between the dangers of the past and the devastation of the future, he encounters a psychiatrist (Madeleine Stowe) who is initially convinced he's insane, and a wacky mental patient (Brad Pitt in a twitchy Oscar-nominated role) with links to a radical group that may have unleashed the deadly virus. Equal parts mystery, tragedy, psychological thriller, and apocalyptic drama, 12 Monkeys ranks as one of the best science fiction films of the '90s, boosted by Gilliam's visual ingenuity and one of the finest performances of Willis's career. --Jeff ShannonMimicking Monkey's unique dual track voiceover option allows you to record personal messages along with each sound to perfectly transform your child's play, r! elax or bedtime environment. Familiar voices and soothing soun! ds are p roven to calm the mind in order to help children achieve a more peaceful, deeper sleep. Record a soothing message to your child and help ease separation anxiety. Read Mimicking Monkey's storybook and listen to beautiful sounds as your child slowly drifts away into a peaceful slumber.

Bordertown 4 pc Boxed Set

• BORDERTOWN (DVD MOVIE)

A powerful story of life on the border between the United States and Mexico, Bordertown is based on the hundreds of women working in American-owned factories who have been brutally raped and murdered in Juarez, a city gripped by fear. The attacks have been covered up by the local authorities, and still continue today.

When editor of the Chicago Sentinel George Morgan (Sheen) sends ambitious reporter, Lauren Adrian (Lopez), to Juarez, Mexico to investigate the murders, what she finds is the story of a lifetime. Eva, a young woman who was raped and left for dead in the desert, is the only woman to survive an attack. Unable to go to the police for help, she turns to a local newspaper run by Diaz Alfonso (Banderas), former friend and colleague of Lauren s. Hiding Eva is incredibly dangerous, but Lauren knows that publishing her story is the only way to expose the tr! uth behind the murders. She is determined to find Eva s attackers but soon finds herself immersed in a dangerous web of corruption that extends to both sides of the border.Featuring 28 Episodes. In 1880, Pemmican lay at the western edge of the Great Plains. Nearly a decade later, surveyors of the 49th parallel reached the community of 180 to find it straddling the new Canada-U.S. border. Pemmican became Bordertown. It wasn't until the mud had settled that Bordertown's awkward, if not unique, character came to light. Law and order were dealt with on one side by Clive Bennett, a Mountie, and on the other by U.S. Marshal Jack Craddock. Whiskey traders, buffalo hunters, gold prospectors, silver miners, drifters and drunks kept the lawmen busy. Still, clashes were inevitable; they shared an office divided only by a black line--the 49th parallel. Acute rivalry in the pursuit of justice was further complicated by their pursuit of the same woman. Marie Dumont was a widowed Parisian! , a sensitive lady of considerable breeding and the town's doc! tor.

Batman Begins [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

Batman Begins explores the origins of the Batman legend and the Dark Knight's emergence as a force for good in Gotham. In the wake of his parents' murder, disillusioned industrial heir Bruce Wayne (Christian Bale) travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful. He returns to Gotham and unveils his alter-ego: Batman, a masked crusader who uses his strength, intellect and an array of high tech deceptions to fight the sinister forces that threaten the city.Batman Begins discards the previous four films in the series and recasts the Caped Crusader as a fearsome avenging angel. That's good news, because the series, which had gotten off to a rousing start under Tim Burton, had gradually dissolved into self-parody by 1997's Batman & ! Robin. As the title implies, Batman Begins tells the story anew, when Bruce Wayne (Christian Bale) flees Western civilization following the murder of his parents. He is taken in by a mysterious instructor named Ducard (Liam Neeson in another mentor role) and urged to become a ninja in the League of Shadows, but he instead returns to his native Gotham City resolved to end the mob rule that is strangling it. But are there forces even more sinister at hand?

Co-written by the team of David S. Goyer (a veteran comic book writer) and director Christopher Nolan (Memento), Batman Begins is a welcome return to the grim and gritty version of the Dark Knight, owing a great debt to the graphic novels that preceded it. It doesn't have the razzle dazzle, or the mass appeal, of Spider-Man 2 (though the Batmobile is cool), and retelling the origin means it starts slowly, like most "first" superhero movies. But it's certainly the best Bat-film since Burt! on's original, and one of the best superhero movies of its tim! e. Bale cuts a good figure as Batman, intense and dangerous but with some of the lightheartedness Michael Keaton brought to the character. Michael Caine provides much of the film's humor as the family butler, Alfred, and as the love interest, Katie Holmes (Dawson's Creek) is surprisingly believable in her first adult role. Also featuring Gary Oldman as the young police officer Jim Gordon, Morgan Freeman as a Q-like gadgets expert, and Cillian Murphy as the vile Jonathan Crane. --David Horiuchi

Big Man Japan

• BIG MAN JAPAN (DVD MOVIE)

BIG MAN JAPAN is an outrageous portrayal of an original superhero. As Big Man Japan, Daisato inherited the role of defending Japan against a host of bizarre monsters. He receives high-voltage electroshocks which transform him into a stocky, stick-wielding giant several stories high.
However, where his predecessors were revered as national heroes, he is an outcast among the citizens he protects.

Celestial Globe - Globe by day - Constellations by night

• High-tech design
• Updated map graphics
• Excellent corporate or premium gift concept

A gripping drama that follows a young suicide bomber on her mission to wreak havoc in Times Square. It is not known who she represents or what she believes in, but she believes in her mission absolutely.This amazing 8" Celestial Globe features Earth while in lit surroundings and then changing to a representation of the night sky in darkness. An advanced optical sensor automatically activates a beautifully illustrated constellation display as the room darkens. Awe-inspiring, the Celestial Globe is a must have for the inquisitive or those with a sense of wonder about the world and universe around us. Powered by a UL listed, low voltage adapter.

The Hangover (Rated Single-Disc Edition)

• Condition: New
• Format: DVD
• Color; Dolby; Dubbed; DVD; Full Screen; Subtitled; Widescreen; NTSC

From The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve.Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Directo! r Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of hi! s first child than to hitch a ride with Ethan. If the situatio! n is som ewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyFrom The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach ! Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve. Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, w! ho's a version of every character Galifianakis has played to d! ate--slo venly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyDue Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Ga! lifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic! moments are not--though by halfway though the trip, viewers m! ay wonde r if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyMovie Summary A first time expectant father has an adventurous trip with an aspiring actor while travelling cross country to be with his expecting wife. DVD Details * Actor(s): Robert Jr. Downey * Format: Widescreen * Soundtrack: English * Additional: Additional Footage Behind the Scenes Include Digital Copy * Rating: R * MSRP: $35.99 * Release Date: 2 22 2011 * Number of Discs: 2A las vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures then must retrace their steps in order to find him. Studio: Warner Home Video Rele! ase Date: 12/15/2009 Starring: Bradley Cooper Heather Graham Run time: 100 minutes Rating: RIf you like your humor broadside up, hold the subtlety, you'll want to nurse this Hangover with your best buds. The ensemble cast meshes perfectly--it's like a super-R-rated episode of Friends: silly, slapstick, and completely in the viewer's face. When four pals go to Vegas to celebrate the imminent nuptials of one of them, they partake in a rooftop toast to "a night we'll never forget." But they're in for a big surprise: their celebration drinks were laced with date-rape drugs, so when they awake in their hotel room 12 hours later, not only are they hung over, but they can't remember what they did all night long. Oh, and they're missing the groom-to-be.

The film is so cheerfully raunchy, so fiercely crude, that the humor becomes as intoxicating as the mind-altering substances. The standout in the ensemble is Zach Galifianakis, who is alternately creepy and hilar! ious. Ed Helm (The Office), in addition to his memory, ! loses a tooth in uncomfortably realistic fashion, and Bradley Cooper (He's Just Not That into You) has deadpan comic timing that whips along at the speed of light. "Ma'am, you have an incredible rack," he blares to a pedestrian from the squad car the guys have "borrowed." "I should have been a [bleeping] cop," he tells himself approvingly.

Director Todd Phillips brings back his deft handling of the actors and the dude humor that worked so well in Old School, as well as the unctuous Dan Finnerty, memorable as a lounge/wedding singer in both films. But it's the nonstop volley of jokes--most cheerily politically incorrect--that grabs the audience and thrashes it around the hotel room. Just watch out for the tiger in the bathroom. --A.T. Hurley

"I Love You Bigger Than The Sky" Wood'n Sign Black

• Distressed for an old look
• Handcrafted by us

A "charismatic" (The Atlanta Journal-Constitution) John Corbett ("Sex and the City") stars as a talented but immature actor who is forced to grow up when he finds he has a new rival...in romance. Amy Smart (Varsity Blues), Sean Astin (the Lord of the Rings trilogy) and Patty Duke (The Miracle Worker) co-star in this feel-good story of self-discovery. Mike (Corbett) only wants to perform in great productions. So when a clueless amateur (Marcus Thomas) is given the lead in Cyrano de Bergerac, Mike decides he must personally train him. But when real life begins to mimic the play's love triangle and his protégé falls for the girl Mike loves but can't commit to (Smart), suddenly it's Mike's turn to learn - not how to act, but how to live.Tell your special little person how much you love them in a sweet way they can relate to. A "tuck-in time"! essential!A "charismatic" (The Atlanta Journal-Constitution) John Corbett ("Sex and the City") stars as a talented but immature actor who is forced to grow up when he finds he has a new rival in romance. Amy Smart (Varsity Blues), Sean Astin (the Lord of the Rings trilogy) and Patty Duke(The Miracle Worker) co-star in this feel-good story of self-discovery. Mike (Corbett) only wants to perform in great productions. So when a clueless amateur (Marcus Thomas) is given the lead in Cyrano de Bergerac, Mike decides he must personally train him. But when real lifebegins to mimic the play's love triangle and his protégé falls for the girl Mike loves but can't commit to (Smart), suddenly it's Mike's turn to learnnot how to act, but how to live!This sign is made from pine, and measures 3.5"H x 25"W. It reads "I Love You BIGGER Than The Sky". The front is painted Black, sanded then distressed. Routered back for hanging